MOTHER NATURE THWARTS ART; NEWS AT 11

It's been pouring pouring pouring rain here nonstop, the Pineapple Express stopping by for a visit. The only apparent casualty is our bucket of sidewalk chalk.



Say Hi, "November Was White, December Was Grey"

THE WALK


I watched most of Elizabeth Edwards’ funeral this morning viewed from a little streaming video box, a far different experience from sitting inside a grand church. I thought about those who spoke about her knowing their words would instantly be quoted by the media and broadcast to the world. Crafting a eulogy is both an honor and, for most, one of the most difficult pieces of writing anyone may be asked to compose. How does one sum up in words everything that defined a loved one’s life and what that life meant to you? It’s daunting. The best you can hope for is that you speak from the heart, and both connect with and comfort other mourners. A well-written eulogy is a gift to all.

Harder still is standing up to deliver it. For many, speaking in public is very stressful to begin with; speaking through the grief and shock of someone’s passing is worse. You fear you will stumble on the way to the podium, stumble with your words, break down and cry and be unable to finish, failing at the finish line.

But the hardest thing of all has nothing to do with words or writing at all. It comes after everything has been said and sung, whatever religious blessings delivered, and it’s time to leave. It is getting up and following the casket as it is taken down the aisle to be taken for burial or to a crematorium. Those are the slowest and most surreal steps, when it becomes so terribly real that someone you knew and loved is in that box, and is never coming back.

The walk behind the dead, even if you are surrounded by those who clasp your hand or put a hand on your shoulder, is done alone, and its finality never forgotten.



HOLIDAY SOUNDTRACK FOR COSTCO SHOPPERS

1. For the FORTY MINUTES spent trying to find a PARKING SPOT, following Grandma Buick going ONE MILE AN HOUR, braking for people walking in front of my car every 10 seconds with giant carts filled with flat-screen TVs and folding Christmas trees, and not choking the life out of the kid who flung his Escalade door open and scratched my car, Eddie Dunstetler's Quentin Tarantino-worthy, "Let It Snow/Rudolph the Red Nosed Reindeer."



2. For the almost total inability to weave a shopping cart through Costco, because of people blocking the aisles while perusing books on the NYT's best-seller list two years ago, letting kids try out riding toys and then not putting them back, standing around eating free food samples and then talking about the free food samples with the Sample Giver Person and NOT MOVING THEIR CARTS, and the one man attempting to set up a TENT,  the Sonics' "Don't Believe In Christmas."



3. And to me, who waited in a line of 13 people at checkout while listening to a screaming toddler, only to find out I left both my checkbook and debit card in my other purse, the Absolute Worst Christmas Song Ever Sung.



MISS EIGHT & I REVIEW DECK THE HALL BALL 2010

It seemed like everybody in town was at Seattle's WaMu Theater last night for local radio station 107.7 the end's annual Deck the Hall Ball. It's a big cavernous barn of a place and not exactly my favorite venue in town for sure, but the line-up was interesting enough for me to jump on tickets right away: Sleigh Bells, The Temper Trap, Cake, Jimmy Eat World, the Black Keys, and Broken Bells. Being that it was an all-ages show and I knew my daughter liked several of the bands, I asked her if she would like to attend with me, with the caveat that she must attend school in a non-sleeping way the next day. She enthusiastically replied that she would indeed love to go, and that she never sleeps, ever.

(A NOTE: I put in an ask to the promo guy at the station to photograph the show, but never received a response. We must make do then with the leetle cameras and art work from MissEight to provide you with the strange content that readers of this blog have come to expect. USA USA USA!)

The review shall be divided by attendee commentary.

Me: We arrived at the theater around 4:30PM to make the 4:45PM set by opener Sleigh Bells. I love their sound, sort of like if you mixed a totally blown-out stereo speaker with hip-hop sub-bass and put sweet girly vocals on top, then pushed it through wire mesh. (I had been previously warned that they would be very loud, as one would imagine, so I purchased noise-reduction headphones in pink camo for MissEight.) I didn't know anything else about them and was a bit surprised to find them a duo only. The venue, unfortunately, made mud of their big sound, which was too bad. I liked them, but also felt the vocals ended up being too thin for the giant live sound -- they were swallowed up. I'd love to see Sleigh Bells add a second female vocalist to double the lines and add live drums. TWO live drummers! Yes, that would be very very cool indeed. Couldn't use the camera. Security everywhere.

MissEight: They were good and loud. I'm hungry.

(Pizza was purchased. Drawings were made.)






























Me: Next up, The Temper Trap. Very passionate, with a solidly-'80s-retro sound that mixed The Edge guitar work and Frankie Goes To Hollywood in a non-ironic way. There was at least one unnecessary mustache. I liked them, and didn't expect to, so that was nice. No photos. Bugger off, security, will ya?

MissEight: They were awesome. They played nicely.

(MissEight decides to make a list of all the bands she's seen this year.)








































Me: Time for Cake. They were exactly as you would have expected from all of their records: very tight, very precise, amusing, professional, and quite good. There was a distinct difference in showmanship between Cake, who have been around awhile, and the two previous bands. Circle Of Life. Getting a floor of smooshed-together cattle to sing two different song lines at the same time is an acquired skill. Why they played for only 30 minutes, I do not know.

MissEight: They were really good and the Cake guy was funny.

(OK, a couple photos at last. Not even close to what the 60D would have gotten of course, but considering how far away I was, hell, it's OK.)





































































(MissEight makes a list of bands she'd like to see. She does realize that Elvis Presley is no more.)







































(Time for a walk. We get donuts from the Top Pot concession. While we are gone, the special unannounced guests, The Presidents Of the United States Of America, take the stage and perform a quick couple songs, I believe.)

Me: Well, then it was Jimmy Eats World's time to play. I did not like them. In fact, I disliked them more and more as their set went on. They seemed to be the very definition of bland generic alt music. I did not take pictures of them because I didn't want to. So there.

MissEight: It was...ok.

(At this point I became aware of a large man who didn't smell good sitting in the row in front of me. He was wearing a "GIT R DONE" baseball hat. Sigh. MissEight made a final list: bands she never wants to see.)








































Me: I was really looking forward to seeing the Black Keys play as I missed out on getting tickets for their recent show at the Paramount here. They've really grown on me over this year, and I like the duo's fresh pop take on gritty electric blues. The crowd was thrilled by them, and their high-energy set was the clear winner of the evening. Except for one certain concertgoer...

MissEight: I was sleeping. Sorry!





MissEight: Tell them that Jesus and Santa came onstage!

Me: It's true!




























Me: At last, the band both of us most wanted to see to close out the show, Broken Bells. I had seen them previously in the year at a sold-out show at the Showbox at the Market and really enjoyed it, even though I thought their set was too short and the performance a bit dour. This time, the performance was enhanced by the confidence of playing many, many more shows since then to all kinds of crowds, but their rather subdued sound was not at all the right choice to end the concert with, in my opinion. A lot of people stayed, but a lot also streamed out after hearing the hits "The Ghost Inside" and "The High Road." I do like what James Mercer and Danger Mouse have done in this collaboration; I question whether or not Broken Bells works as a live act enough to continue the project. I just keep wanting more from them, somehow. But that said, I was happy to see them again. I like the songs no matter what.

MissEight: They were awesome and mellow.

(At this point in the night, security no longer gave a shit about my silly camera, so I was able to pull off a couple of videos, "Vaporize" and the new BB song, "Meyrin Fields.")







































On the way home, the whole "never sleeps, ever" theory was disproved for the second time in the night, but no matter...we had a lovely night out.

YOU CAN SHOUT TOO

It is December 8th, 2010, and the 30th anniversary of John Lennon's death. Thirty years, twenty years, ten years, one week, one day...there hasn't been any increment of time that has given me any kind of a peaceful acceptance about why he is gone and how it happened. The best I can do on December 8th, for thirty years now, is try not to think too much about the details of that day. It doesn't ever help.

Why should it still matter so much to me, and so many others? Senseless tragedies happen everyday; bad things happen to good people, and the world pays brief attention and then moves on. I never met John Lennon and never was even in the same room or even the same city, never saw him play live. He was an image on the television and movie screen, a voice on the radio or my record player. Yet he was such a strong presence and influence in my life that he seemed like family: known, felt, loved. Why? Why him, and not some other celebrity?

There are a lot of reasons, but today in his piece for the New York Times perhaps Ray Davies caught the main one:

"I thought back to when I was a 17-year-old student in the recreation room at art college and heard John sing “Twist and Shout” on the record player, and how I was blown away by his directness. How his voice cut through all the nonsense and sent a message to me that said, “If I can do it then so can you, so get up off your backside and play some rock ’n’ roll,” as if to throw down a musical gauntlet." 

This was why Lennon and the Beatles were revolutionary, not for style or politics or peace or drugs, or even the music they played.

"If I can do it, so can you."

What "it" turned out to be wasn't as important as the message behind it -- that you could break away from what was expected of you and the class you were born into, be it posh or working-class or solidly middle, and do what you love to do. Your voice can be heard. 

There really isn't anything more empowering than this concept for any of us, and nothing more deeply felt.

The Beatles, "Twist and Shout"



HEY MOM 2

My mother called me today to give me her Christmas wish list, which I greatly appreciate. She really doesn't need another piece of cookware shaped like a hen or perfumes that will go unused so many years that they turn into "Stale-limar." This was the best part of the conversation:

Mom: I would like something that plays songs.

Me: Songs?

Mom: Yes, songs on tape and CD that I can bring with me from room to room.

Me: Oh, you want a boombox?

Mom: Oh no, just something very small that plays songs. Something that would fit in my purse.

Me: But you want speakers, right?

Mom: How would I hear it otherwise?

Me: With headphones or earbuds.

Mom: Oh no no no no...I don't want anything in my ears. No. I want speakers.

Me: Well, there isn't anything that has speakers and plays cassettes and CDs that would fit in your purse. I could get you something small with a handle, though. I think. Most people are buying digital files for music now and use tiny little iPods.

Mom: Do the iPods also play cassettes and CDs?

Me: No.

Mom: Well, I don't want to be a bother...

Me: No no! I can find you something for sure. What made you think about this now anyway?

Mom: I'd like to have some music in the background because TV is shitty.

Me: (giant laughter)

ELIZABETH EDWARDS


Elizabeth Edwards died today at her home in North Carolina at age 61, and a day after her family released a statement saying her cancer would not benefit from further treatment.  It is not unexpected news, but still very sad. Deaths that happen around holiday time seem particularly difficult to process. Their effect seems to linger longer somehow.

Her life will forever be defined as the terminal cancer victim whose husband, former U.S. Senator John Edwards, had an affair during their marriage, which produced a daughter.  Obviously, Elizabeth was devastated by her husband’s rather slow process of fully owning up to his outside relationship, and I don’t think it would be a stretch to opine that the stress of such a severe emotional blow did nothing to help her health situation.  Friends, family, the media, and the public came strongly to Elizabeth’s defense, and just as strongly vilified John Edwards for his actions and subsequent cowardice in handling himself. It is very unlikely he will ever hold any kind of elected office again.

I’m going to take a different view of the Edwards’, with more shades of grey than the black-and-white  of the devil-who-wronged-the-angel spin can provide. What I don’t understand is how no one saw what happened to this couple coming from a mile away, including John and Elizabeth themselves.

Let’s go back to a crucial factor: both of the Edwards were lawyers, and ambitious. They agreed as a couple to play politics at the highest level, which was to try to get into the White House. Let me ask you these questions: how do you think that game is most often played, and by what kind of people, and for what personal outcome? I’ll answer for you: Big Time Politics is Play To Win, by people who will do almost anything to win, to achieve Big Time Power. The Edwards family didn’t need the money. They desired world power and world attention. I will keep saying “they” even though it was John Edwards on the ticket, because no one can do this alone. The spouse’s contribution and commitment is vital. Did the couple have noble service ambitions as well? Yes. But that isn’t what drives someone to vie for the top spot, or to support it. Lawyers are taught in school, and then by their firms, that winning is ALL. Wins are highs, and the more wins you get, the more that ambition demon must be fed, until nothing but the Presidency is on your to-do list. The Edwards’ were well-aware of the sacrifices and deals and alliances and soul-selling that happens in this process. That’s Washington, baby. They chose.

The couple married just days after each took the bar exam, and had two children, Wade and Catharine. Their son died tragically in a 1996 car accident, an unthinkable blow to any parent. This kind of horrific event is something one doesn’t ever “get over;” the best that can be obtained is that you don’t live in daily anguish. Losing a child breaks something in the mind, because it is never what is expected and is never right or normal and it changes the husband and wife relationship permanently in many ways. In the wake of the tragedy, Elizabeth Edwards decided to undergo fertility treatments to have another child at age 48. Emma Claire was born in 1998; son Jack two years later. No doubt the two children brought the couple and their older daughter great joy. But starting over in the parenting business later in life is also a stressful thing, and would further strain the marriage.

In 2004, Elizabeth Edwards was diagnosed with breast cancer. She chose not to tell her husband until he had finished his Vice Presidential campaign as not to worry him, and then underwent treatment. In 2007, her cancer returned and spread to her bones, making her diagnosis treatable but terminal. John Edwards had already begun his 2008 Presidential bid, and the couple decided to go ahead despite the news that the likelihood of Elizabeth living another five years was remote, and that the American public would likely not elect a president who would be concurrently coping with a dying spouse and grieving children.

Ambition and power ruled over common sense, privacy, and commitment to their children. John Edwards could have run for president after his wife was gone. The couple could never replace this precious time to spend as a family before Elizabeth would die.

But to make their decision even more curious, Elizabeth in 2007 was already aware that John had taken up with another woman, and John knew that he had fathered a child with her. How blindly ambitious and power-hungry did they both have to be to not realize that the news would never remain secret? The media and opposing forces would have dug it up no matter what – that’s what they do. If they were less selfish and more genuine in their lip-service to serve the American people and the Democratic Party, John Edwards’ political career should have ended when he decided to be with Rielle Hunter. But both John and Elizabeth no doubt knew of many, many, many political friends and foes who had similar skeletons yet undiscovered, and decided to believe they were immune from public disclosure. Of course, the campaign failed, and in January 2010, John finally admitted that he had a daughter with Ms. Hunter.

That was, more than reasonably, the end of the line for the Edwards’ marriage, and Elizabeth filed for legal separation with intent to divorce John after the mandatory one-year waiting period in North Carolina. Let’s recap what she went through: the death of her firstborn, two fertility-assisted late pregnancies,  her husband’s Senate, VP, and presidential campaigns, cancer diagnosis and treatment,  finding out about her husband’s affair, a terminal cancer diagnosis, finding out about Rielle and John’s child, and then finding out that others knew all about it and never told her (and one even wrote a book). By anyone’s definition, that is more than anyone should have to deal with in several lifetimes. Elizabeth Edwards deserves our compassion; fate dealt with her harshly, and she still served as an advocate for health reform and a hopeful face to those who were suffering similar tragedies.

What I find immeasurably sad is how the lawyer in her, the win-at-any-cost person, decided she was going to have her own win, her revenge. Her last word came in the form of a book published earlier this year, Resilience, and part of what she writes about is her foolishness in believing in a “Cinderella” story and the failure of her marriage. Her vitriol seems most focused upon Hunter, portrayed as a merciless predator, and her child, whom Elizabeth refers to as “it.”

And that is where Elizabeth Edwards’ grace ends for me. It doesn’t matter one damn bit how Frances Quinn Hunter came into being, because in the end she is a sister to Cate, Emma Claire, and Jack Edwards. Their relationship will go on for many decades past Elizabeth’s death. Elizabeth's fury is understandable; leaving the world with a public record of it is seriously questionable. Is that grace? Is that in the best interests of her children?  Elizabeth Edwards’ focus should only have been on them and what actions would set them up best to go forward without her. Publicly venting about their father, his mistress, and their “it” was completely counterproductive to any kind of healing. The book leaves an open wound. Good luck with that, kids.

Ambition and power defined the Edwards’ marriage more than anything else. Did Elizabeth truly believe that her younger, dashingly-handsome, wildly-successful trial lawyer husband with major political aspirations wouldn’t be tempted to want more of everything offered to him, that he would always compartmentalize such drives to acceptable takes? That he wasn’t trained to never admit any guilt of any kind? In the legal profession, that’s for losers only. Did she really think that she and her husband would be exempt from the very high costs of life at the top, and acting-out behaviors from their incredibly difficult family tragedies?

I don’t think that much now about the stories of Elizabeth and John and Rielle as Christmas nears. I think of Cate Edwards, a woman who has likely shouldered far more responsibility at a young age than anyone should have to, losing her brother and mother and having to deal with deep sadness and disillusionment. I think of Emma Claire and Jack, 12 and 10 years of age, whose lives must have been filled with tumult and whispers and sad looks, who will miss their mother terribly, and may feel great confusion towards their father. And I think of Frances Quinn, whose father didn’t acknowledge her existence until forced to, and who will always face judgment and scorn from others, having done nothing to earn it other than to exist at all. I think about how all the choices of all three of their parents will keep generating consequences, as the Decembers are marked, year after year.


TUESDAY MORNING COMING DOWN

I try to utilize my time wisely, so while Mr12 was in his martial arts class this evening, I popped over to the local Tuesday Morning store. It's good for picking up odds and ends for Christmas.

While I was there...

-- as I walked in the door, two of the employees at the front counter were having a loud discussion about "skid marks." They were not discussing cars.

-- in the clearance section of this discount store, I found this, possibly the most disturbing Jackie Kennedy doll ever made. I did not know the woman apparently suffered from elephantitis:









































I held myself together until the end of my shopping run, until one thing pushed me over the edge. In the Christmas section, while staring at all the gaudy holiday decor items, I realized that the song playing over the store PA was Kris Kristofferson's "Sunday Morning Coming Down," one of the most depressing songs ever recorded.

As my eye caught the manic grin of a ceramic elf, I heard the line, "On the Sunday morning sidewalk,
wishing, Lord, that I was stoned." 
I then burst into huge spewing laughter and had to lean on my cart.




HEY MOM

My mother, who was born on December 9, 1926, called me up this morning, taking a break from a year-end business meeting with her accountant.

Mom: Mari?

Me: Hey Mom!

Mom: Well, I just had to call you right now while I was remembering it...you MUST see the movie "Pirate Radio!" It's got the Kinks music ALL over it! I have to go back to my meeting now! I'll talk to you later!

Me: (grinning into the phone) Thanks, Mom! Bye!

Not to get too Freudian, but I think it's true: you spend your whole life living up to what your Mom gave you, or making up for what she didn't give you. The quality of the relationship you have with your mother colors everything you do, even when you are old enough to think it doesn't matter, or after she is gone.

My Mom, out of so many good things in my life, is the best piece of luck I ever had.

"Pirate Radio" movie trailer



MISS EIGHT'S BATH ROOM RULES

Hygiene is important. So...in case you didn't already know how to use the bathroom, you may use this guide that Miss Eight thoughtfully decided to put up in our powder room.

The order is a bit dodgy, sure, but the intent is there. It beats diapers.

AMERICA’S DANDYLAND: THE DANDY WARHOLS IN SEATTLE

“God, I love these guys so much!”

The nice girl standing to my left at the front of the stage at the Dandy Warhols' Showbox at the Market gig last night said this to me, and I told her that I loved them too.

“Do you want to see the picture I got of me and Zia?”

I do, I said to the nice girl standing to my right, and she then produced a small camera with a slightly-blurry photo of her grinning with Dandy Zia McCabe at the bar moments before.

Later on, Zia McCabe stood next to me and rocked out to openers and fellow Portlanders Blue Giant, and she looked over at me and smiled. I smiled back at Zia.

Even later on during the Dandies’ set, two young ladies were so overcome with Dandy Love that they jumped onstage. There seems to be a curiously-similar behavior to all stage-jumper-on-ers: they don’t actually know what to do once they’ve hoisted themselves up there before security hauls them offstage. The first young lady decided after a moment’s hesitation to shake the hands of all the band members: Peter Holmstrom, Courtney Taylor-Taylor, Brent De Boer, and Zia McCabe. The second young lady, a rail thin blonde in a tiny red minidress wobbling precariously on very high chunky heels, could not think of a further way to express her deep feelings for the band and stood stock still, until assisted to another part of the venue by two Showbox employees.

A very tall man stood behind me and yelled for the song “Solid.” When the Dandies played it, he screamed “SOLID!!!!!!!!!! FUCK YEAH!!!!!” and pointed to the band over my head. I am short.

At the very end of the show during the holiday encore of “The Little Drummer Boy,” two more very excited girls pushed up next to me and went completely batshit crazy, pounding the stage and professing their total rapture.

People love the Dandy Warhols.

Why I love the Dandy Warhols is a no-brainer to figure: they combine all my favorite rock genres into songs I never tire of. This is actually a rather brave thing for any band to do, because when you choose to offer up music as varied as classic melodic three-chord pop, dreamy ten-minute-long shoegaze/stoner drones, noisy electronica, and straightforward hill-style country, not every fan is going to hang with you there. For me, it’s perfect. I like hearing all the influences in the Dandies' music and then how they shape those into their instantly-recognizable style. A Dandy Warhols live show for me is like what I would imagine it would feel like to be a surfer catching a slow, long, perfect wave to shore: sweet, satisfying, right.

Last night was extra-special for me because I got to bring THE BIG CAMERA. As you probably know if you have attended a concert in the last 25 years or so, you can’t just walk into venues anymore with a SLR/DSLR and detachable  lenses. You must obtain permission. I’ve shot with my leetle camera (my beloved Canon G7) for a couple of years now, with results varying from total loss to damn good. But I have figured out that I have really missed using the big stuff, from the days when I would furiously be changing out film rolls every few minutes. Film! Remember that shit! Anyway, so I asked if I could get a photo pass for this show, and most graciously and kindly, the Dandies’ management said yes, and the Showbox staff were all very accommodating and polite as well.










































Blue Giant was cool; strongly country/folk, in that particular Northwestern way I am hearing more and more of: very roots, with a rock edge, and lots of beards. The audience loved them, and they seemed to be having a great time, too. Do check them out.





The Dandies played a solid set (that was for the “Solid” guy), touring behind their new compilation album, The Capitol Years: 1995-2007, which contains pretty much their “greatest hits” like “We Used To Be Friends,” “Bohemian Like You,” “Not If You Were The Last Junkie On Earth,” and a previously-unreleased tune, “This Is The Tide.” The only things I didn’t like about the show were that I couldn’t photograph allllllllllllllll night, and that the show had to end. Good job, Dandies.

































(More photos are here.)

Where do the Dandy Warhols go from here? Well, a few more live dates, and then back to Portland to figure out a new album. My guess is that it will end up to be their most eclectic mix yet, and I can’t wait to hear it.

Thank you Dandies and their Managies, and the Showbox for another great night.



POPTHOMOLOGY...NOW FOR KINDLE!

Guess WHAT? No! Now guess again! RIGHT! This blog is now available AS KINDLING for Amazon Kindle owners for the LOW LOW MONTHLY SUBSCRIPTION PRICE OF ONE DOLLAR AND NINETY-NINE CENTS! OH MY GOD IT MAKES A GREAT HOLIDAY GIFT!

Well, OK, it doesn't really make a great holiday gift but it's the thought that counts. That sentence makes no sense, either, but it's appropriate in that if you are looking for sensible sentences, go buy Some Guy Who Writes For The New York Times Or Something for Kindle, not Popthomology for Kindle. If you buy a Kindle subscription to this blog, I promise that if you show me your Kindle, I will autograph it on the back and not poke you for buying a Kindle. That sentence is a complete lie. Thanks!

COMFORTABLY DUMB

Here's another deservedly-viral video that you should view if you have not done so already. These guys -- grown men -- probably need many, many, MANY more years of basement practice before attempting to cover Pink Floyd again, or any band, really. Do hang in there for the guitar solo. This is pretty close to Shaggs territory.

Bless your big rock n' roll hearts, guys.



SOMETHING WEIRD: WOMEN

I love Something Weird, the Comcast OnDemand channel that truly lives up to its name. Something Weird amuses me by curating the oddities of the film world from days gone by. Sometimes the clips became weird over time, like the sincere PSA productions on the dangers of drug-crazed hippies, child-luring homosexuals with sleazy mustaches, or "heavy petting." Sometimes they were just weird to begin with. In any case, I highly recommend checking it out on your television device, or at their YouTube channel.

Today I will bring you a few of their clips featuring weird women in various levels of undress. Did you know that in the 1920s, all women did was struggle with car tires, play the ukelele, dance, and swim in odd-looking undergarments? It's what brought on the Great Depression.



When I was a kid, I was led to believe that my only employment options would be nurse, teacher, secretary, or bamboo-cage stripper.



If you were really lucky, you could spend all day eating Twinkies and then put a snake in your mouth.



But I think when I grow up, I want to join the Man-Eaters Motorcycle Club. Forming a chapter right now.


FROGS

OH MY GAWD. Did You. Have. ANY. IDEA. That FROGS. Can. SCREAM? How is it that I DID NOT KNOW??  HAHAHAHAHA! Holy crap! LOOK!

Doesn't this sound like a small horribly-cheap Japanese toy that is slowly and painfully running out of battery life? I think the kitty is confused.



The Frog That Sounds Like A Baby! FROM HELL!



This one sounds like a CAT! Nice digs btw, Kittyfrog.



HAHAHAH! This wun gon 'SPLODE!!!! BACK UP!



HAAAAAAA! Look at his FACE! HAAAAA!



RIGHT? FROGS!!!