YOU CAN SHOUT TOO

It is December 8th, 2010, and the 30th anniversary of John Lennon's death. Thirty years, twenty years, ten years, one week, one day...there hasn't been any increment of time that has given me any kind of a peaceful acceptance about why he is gone and how it happened. The best I can do on December 8th, for thirty years now, is try not to think too much about the details of that day. It doesn't ever help.

Why should it still matter so much to me, and so many others? Senseless tragedies happen everyday; bad things happen to good people, and the world pays brief attention and then moves on. I never met John Lennon and never was even in the same room or even the same city, never saw him play live. He was an image on the television and movie screen, a voice on the radio or my record player. Yet he was such a strong presence and influence in my life that he seemed like family: known, felt, loved. Why? Why him, and not some other celebrity?

There are a lot of reasons, but today in his piece for the New York Times perhaps Ray Davies caught the main one:

"I thought back to when I was a 17-year-old student in the recreation room at art college and heard John sing “Twist and Shout” on the record player, and how I was blown away by his directness. How his voice cut through all the nonsense and sent a message to me that said, “If I can do it then so can you, so get up off your backside and play some rock ’n’ roll,” as if to throw down a musical gauntlet." 

This was why Lennon and the Beatles were revolutionary, not for style or politics or peace or drugs, or even the music they played.

"If I can do it, so can you."

What "it" turned out to be wasn't as important as the message behind it -- that you could break away from what was expected of you and the class you were born into, be it posh or working-class or solidly middle, and do what you love to do. Your voice can be heard. 

There really isn't anything more empowering than this concept for any of us, and nothing more deeply felt.

The Beatles, "Twist and Shout"



HEY MOM 2

My mother called me today to give me her Christmas wish list, which I greatly appreciate. She really doesn't need another piece of cookware shaped like a hen or perfumes that will go unused so many years that they turn into "Stale-limar." This was the best part of the conversation:

Mom: I would like something that plays songs.

Me: Songs?

Mom: Yes, songs on tape and CD that I can bring with me from room to room.

Me: Oh, you want a boombox?

Mom: Oh no, just something very small that plays songs. Something that would fit in my purse.

Me: But you want speakers, right?

Mom: How would I hear it otherwise?

Me: With headphones or earbuds.

Mom: Oh no no no no...I don't want anything in my ears. No. I want speakers.

Me: Well, there isn't anything that has speakers and plays cassettes and CDs that would fit in your purse. I could get you something small with a handle, though. I think. Most people are buying digital files for music now and use tiny little iPods.

Mom: Do the iPods also play cassettes and CDs?

Me: No.

Mom: Well, I don't want to be a bother...

Me: No no! I can find you something for sure. What made you think about this now anyway?

Mom: I'd like to have some music in the background because TV is shitty.

Me: (giant laughter)

ELIZABETH EDWARDS


Elizabeth Edwards died today at her home in North Carolina at age 61, and a day after her family released a statement saying her cancer would not benefit from further treatment.  It is not unexpected news, but still very sad. Deaths that happen around holiday time seem particularly difficult to process. Their effect seems to linger longer somehow.

Her life will forever be defined as the terminal cancer victim whose husband, former U.S. Senator John Edwards, had an affair during their marriage, which produced a daughter.  Obviously, Elizabeth was devastated by her husband’s rather slow process of fully owning up to his outside relationship, and I don’t think it would be a stretch to opine that the stress of such a severe emotional blow did nothing to help her health situation.  Friends, family, the media, and the public came strongly to Elizabeth’s defense, and just as strongly vilified John Edwards for his actions and subsequent cowardice in handling himself. It is very unlikely he will ever hold any kind of elected office again.

I’m going to take a different view of the Edwards’, with more shades of grey than the black-and-white  of the devil-who-wronged-the-angel spin can provide. What I don’t understand is how no one saw what happened to this couple coming from a mile away, including John and Elizabeth themselves.

Let’s go back to a crucial factor: both of the Edwards were lawyers, and ambitious. They agreed as a couple to play politics at the highest level, which was to try to get into the White House. Let me ask you these questions: how do you think that game is most often played, and by what kind of people, and for what personal outcome? I’ll answer for you: Big Time Politics is Play To Win, by people who will do almost anything to win, to achieve Big Time Power. The Edwards family didn’t need the money. They desired world power and world attention. I will keep saying “they” even though it was John Edwards on the ticket, because no one can do this alone. The spouse’s contribution and commitment is vital. Did the couple have noble service ambitions as well? Yes. But that isn’t what drives someone to vie for the top spot, or to support it. Lawyers are taught in school, and then by their firms, that winning is ALL. Wins are highs, and the more wins you get, the more that ambition demon must be fed, until nothing but the Presidency is on your to-do list. The Edwards’ were well-aware of the sacrifices and deals and alliances and soul-selling that happens in this process. That’s Washington, baby. They chose.

The couple married just days after each took the bar exam, and had two children, Wade and Catharine. Their son died tragically in a 1996 car accident, an unthinkable blow to any parent. This kind of horrific event is something one doesn’t ever “get over;” the best that can be obtained is that you don’t live in daily anguish. Losing a child breaks something in the mind, because it is never what is expected and is never right or normal and it changes the husband and wife relationship permanently in many ways. In the wake of the tragedy, Elizabeth Edwards decided to undergo fertility treatments to have another child at age 48. Emma Claire was born in 1998; son Jack two years later. No doubt the two children brought the couple and their older daughter great joy. But starting over in the parenting business later in life is also a stressful thing, and would further strain the marriage.

In 2004, Elizabeth Edwards was diagnosed with breast cancer. She chose not to tell her husband until he had finished his Vice Presidential campaign as not to worry him, and then underwent treatment. In 2007, her cancer returned and spread to her bones, making her diagnosis treatable but terminal. John Edwards had already begun his 2008 Presidential bid, and the couple decided to go ahead despite the news that the likelihood of Elizabeth living another five years was remote, and that the American public would likely not elect a president who would be concurrently coping with a dying spouse and grieving children.

Ambition and power ruled over common sense, privacy, and commitment to their children. John Edwards could have run for president after his wife was gone. The couple could never replace this precious time to spend as a family before Elizabeth would die.

But to make their decision even more curious, Elizabeth in 2007 was already aware that John had taken up with another woman, and John knew that he had fathered a child with her. How blindly ambitious and power-hungry did they both have to be to not realize that the news would never remain secret? The media and opposing forces would have dug it up no matter what – that’s what they do. If they were less selfish and more genuine in their lip-service to serve the American people and the Democratic Party, John Edwards’ political career should have ended when he decided to be with Rielle Hunter. But both John and Elizabeth no doubt knew of many, many, many political friends and foes who had similar skeletons yet undiscovered, and decided to believe they were immune from public disclosure. Of course, the campaign failed, and in January 2010, John finally admitted that he had a daughter with Ms. Hunter.

That was, more than reasonably, the end of the line for the Edwards’ marriage, and Elizabeth filed for legal separation with intent to divorce John after the mandatory one-year waiting period in North Carolina. Let’s recap what she went through: the death of her firstborn, two fertility-assisted late pregnancies,  her husband’s Senate, VP, and presidential campaigns, cancer diagnosis and treatment,  finding out about her husband’s affair, a terminal cancer diagnosis, finding out about Rielle and John’s child, and then finding out that others knew all about it and never told her (and one even wrote a book). By anyone’s definition, that is more than anyone should have to deal with in several lifetimes. Elizabeth Edwards deserves our compassion; fate dealt with her harshly, and she still served as an advocate for health reform and a hopeful face to those who were suffering similar tragedies.

What I find immeasurably sad is how the lawyer in her, the win-at-any-cost person, decided she was going to have her own win, her revenge. Her last word came in the form of a book published earlier this year, Resilience, and part of what she writes about is her foolishness in believing in a “Cinderella” story and the failure of her marriage. Her vitriol seems most focused upon Hunter, portrayed as a merciless predator, and her child, whom Elizabeth refers to as “it.”

And that is where Elizabeth Edwards’ grace ends for me. It doesn’t matter one damn bit how Frances Quinn Hunter came into being, because in the end she is a sister to Cate, Emma Claire, and Jack Edwards. Their relationship will go on for many decades past Elizabeth’s death. Elizabeth's fury is understandable; leaving the world with a public record of it is seriously questionable. Is that grace? Is that in the best interests of her children?  Elizabeth Edwards’ focus should only have been on them and what actions would set them up best to go forward without her. Publicly venting about their father, his mistress, and their “it” was completely counterproductive to any kind of healing. The book leaves an open wound. Good luck with that, kids.

Ambition and power defined the Edwards’ marriage more than anything else. Did Elizabeth truly believe that her younger, dashingly-handsome, wildly-successful trial lawyer husband with major political aspirations wouldn’t be tempted to want more of everything offered to him, that he would always compartmentalize such drives to acceptable takes? That he wasn’t trained to never admit any guilt of any kind? In the legal profession, that’s for losers only. Did she really think that she and her husband would be exempt from the very high costs of life at the top, and acting-out behaviors from their incredibly difficult family tragedies?

I don’t think that much now about the stories of Elizabeth and John and Rielle as Christmas nears. I think of Cate Edwards, a woman who has likely shouldered far more responsibility at a young age than anyone should have to, losing her brother and mother and having to deal with deep sadness and disillusionment. I think of Emma Claire and Jack, 12 and 10 years of age, whose lives must have been filled with tumult and whispers and sad looks, who will miss their mother terribly, and may feel great confusion towards their father. And I think of Frances Quinn, whose father didn’t acknowledge her existence until forced to, and who will always face judgment and scorn from others, having done nothing to earn it other than to exist at all. I think about how all the choices of all three of their parents will keep generating consequences, as the Decembers are marked, year after year.


TUESDAY MORNING COMING DOWN

I try to utilize my time wisely, so while Mr12 was in his martial arts class this evening, I popped over to the local Tuesday Morning store. It's good for picking up odds and ends for Christmas.

While I was there...

-- as I walked in the door, two of the employees at the front counter were having a loud discussion about "skid marks." They were not discussing cars.

-- in the clearance section of this discount store, I found this, possibly the most disturbing Jackie Kennedy doll ever made. I did not know the woman apparently suffered from elephantitis:









































I held myself together until the end of my shopping run, until one thing pushed me over the edge. In the Christmas section, while staring at all the gaudy holiday decor items, I realized that the song playing over the store PA was Kris Kristofferson's "Sunday Morning Coming Down," one of the most depressing songs ever recorded.

As my eye caught the manic grin of a ceramic elf, I heard the line, "On the Sunday morning sidewalk,
wishing, Lord, that I was stoned." 
I then burst into huge spewing laughter and had to lean on my cart.




HEY MOM

My mother, who was born on December 9, 1926, called me up this morning, taking a break from a year-end business meeting with her accountant.

Mom: Mari?

Me: Hey Mom!

Mom: Well, I just had to call you right now while I was remembering it...you MUST see the movie "Pirate Radio!" It's got the Kinks music ALL over it! I have to go back to my meeting now! I'll talk to you later!

Me: (grinning into the phone) Thanks, Mom! Bye!

Not to get too Freudian, but I think it's true: you spend your whole life living up to what your Mom gave you, or making up for what she didn't give you. The quality of the relationship you have with your mother colors everything you do, even when you are old enough to think it doesn't matter, or after she is gone.

My Mom, out of so many good things in my life, is the best piece of luck I ever had.

"Pirate Radio" movie trailer



MISS EIGHT'S BATH ROOM RULES

Hygiene is important. So...in case you didn't already know how to use the bathroom, you may use this guide that Miss Eight thoughtfully decided to put up in our powder room.

The order is a bit dodgy, sure, but the intent is there. It beats diapers.

AMERICA’S DANDYLAND: THE DANDY WARHOLS IN SEATTLE

“God, I love these guys so much!”

The nice girl standing to my left at the front of the stage at the Dandy Warhols' Showbox at the Market gig last night said this to me, and I told her that I loved them too.

“Do you want to see the picture I got of me and Zia?”

I do, I said to the nice girl standing to my right, and she then produced a small camera with a slightly-blurry photo of her grinning with Dandy Zia McCabe at the bar moments before.

Later on, Zia McCabe stood next to me and rocked out to openers and fellow Portlanders Blue Giant, and she looked over at me and smiled. I smiled back at Zia.

Even later on during the Dandies’ set, two young ladies were so overcome with Dandy Love that they jumped onstage. There seems to be a curiously-similar behavior to all stage-jumper-on-ers: they don’t actually know what to do once they’ve hoisted themselves up there before security hauls them offstage. The first young lady decided after a moment’s hesitation to shake the hands of all the band members: Peter Holmstrom, Courtney Taylor-Taylor, Brent De Boer, and Zia McCabe. The second young lady, a rail thin blonde in a tiny red minidress wobbling precariously on very high chunky heels, could not think of a further way to express her deep feelings for the band and stood stock still, until assisted to another part of the venue by two Showbox employees.

A very tall man stood behind me and yelled for the song “Solid.” When the Dandies played it, he screamed “SOLID!!!!!!!!!! FUCK YEAH!!!!!” and pointed to the band over my head. I am short.

At the very end of the show during the holiday encore of “The Little Drummer Boy,” two more very excited girls pushed up next to me and went completely batshit crazy, pounding the stage and professing their total rapture.

People love the Dandy Warhols.

Why I love the Dandy Warhols is a no-brainer to figure: they combine all my favorite rock genres into songs I never tire of. This is actually a rather brave thing for any band to do, because when you choose to offer up music as varied as classic melodic three-chord pop, dreamy ten-minute-long shoegaze/stoner drones, noisy electronica, and straightforward hill-style country, not every fan is going to hang with you there. For me, it’s perfect. I like hearing all the influences in the Dandies' music and then how they shape those into their instantly-recognizable style. A Dandy Warhols live show for me is like what I would imagine it would feel like to be a surfer catching a slow, long, perfect wave to shore: sweet, satisfying, right.

Last night was extra-special for me because I got to bring THE BIG CAMERA. As you probably know if you have attended a concert in the last 25 years or so, you can’t just walk into venues anymore with a SLR/DSLR and detachable  lenses. You must obtain permission. I’ve shot with my leetle camera (my beloved Canon G7) for a couple of years now, with results varying from total loss to damn good. But I have figured out that I have really missed using the big stuff, from the days when I would furiously be changing out film rolls every few minutes. Film! Remember that shit! Anyway, so I asked if I could get a photo pass for this show, and most graciously and kindly, the Dandies’ management said yes, and the Showbox staff were all very accommodating and polite as well.










































Blue Giant was cool; strongly country/folk, in that particular Northwestern way I am hearing more and more of: very roots, with a rock edge, and lots of beards. The audience loved them, and they seemed to be having a great time, too. Do check them out.





The Dandies played a solid set (that was for the “Solid” guy), touring behind their new compilation album, The Capitol Years: 1995-2007, which contains pretty much their “greatest hits” like “We Used To Be Friends,” “Bohemian Like You,” “Not If You Were The Last Junkie On Earth,” and a previously-unreleased tune, “This Is The Tide.” The only things I didn’t like about the show were that I couldn’t photograph allllllllllllllll night, and that the show had to end. Good job, Dandies.

































(More photos are here.)

Where do the Dandy Warhols go from here? Well, a few more live dates, and then back to Portland to figure out a new album. My guess is that it will end up to be their most eclectic mix yet, and I can’t wait to hear it.

Thank you Dandies and their Managies, and the Showbox for another great night.



POPTHOMOLOGY...NOW FOR KINDLE!

Guess WHAT? No! Now guess again! RIGHT! This blog is now available AS KINDLING for Amazon Kindle owners for the LOW LOW MONTHLY SUBSCRIPTION PRICE OF ONE DOLLAR AND NINETY-NINE CENTS! OH MY GOD IT MAKES A GREAT HOLIDAY GIFT!

Well, OK, it doesn't really make a great holiday gift but it's the thought that counts. That sentence makes no sense, either, but it's appropriate in that if you are looking for sensible sentences, go buy Some Guy Who Writes For The New York Times Or Something for Kindle, not Popthomology for Kindle. If you buy a Kindle subscription to this blog, I promise that if you show me your Kindle, I will autograph it on the back and not poke you for buying a Kindle. That sentence is a complete lie. Thanks!

COMFORTABLY DUMB

Here's another deservedly-viral video that you should view if you have not done so already. These guys -- grown men -- probably need many, many, MANY more years of basement practice before attempting to cover Pink Floyd again, or any band, really. Do hang in there for the guitar solo. This is pretty close to Shaggs territory.

Bless your big rock n' roll hearts, guys.



SOMETHING WEIRD: WOMEN

I love Something Weird, the Comcast OnDemand channel that truly lives up to its name. Something Weird amuses me by curating the oddities of the film world from days gone by. Sometimes the clips became weird over time, like the sincere PSA productions on the dangers of drug-crazed hippies, child-luring homosexuals with sleazy mustaches, or "heavy petting." Sometimes they were just weird to begin with. In any case, I highly recommend checking it out on your television device, or at their YouTube channel.

Today I will bring you a few of their clips featuring weird women in various levels of undress. Did you know that in the 1920s, all women did was struggle with car tires, play the ukelele, dance, and swim in odd-looking undergarments? It's what brought on the Great Depression.



When I was a kid, I was led to believe that my only employment options would be nurse, teacher, secretary, or bamboo-cage stripper.



If you were really lucky, you could spend all day eating Twinkies and then put a snake in your mouth.



But I think when I grow up, I want to join the Man-Eaters Motorcycle Club. Forming a chapter right now.


FROGS

OH MY GAWD. Did You. Have. ANY. IDEA. That FROGS. Can. SCREAM? How is it that I DID NOT KNOW??  HAHAHAHAHA! Holy crap! LOOK!

Doesn't this sound like a small horribly-cheap Japanese toy that is slowly and painfully running out of battery life? I think the kitty is confused.



The Frog That Sounds Like A Baby! FROM HELL!



This one sounds like a CAT! Nice digs btw, Kittyfrog.



HAHAHAH! This wun gon 'SPLODE!!!! BACK UP!



HAAAAAAA! Look at his FACE! HAAAAA!



RIGHT? FROGS!!!



WOULD YOU ENJOY WATCHING PEOPLE THROW UP ONSTAGE?

If so, well, you've come to the right place, my sick, sick pals. Inspired by the report today of odd middle-aged cash cow Susan Boyle's choke-up on heinous TV hen party The View (no, she didn't throw up, dammit, just stopped singing) I have now come across several videos of people who perhaps would not want to choose performing as a career. Or at the very least, refrain from eating several hours before showtime. Stage fright is REAL, PEOPLE, REAL!

DISCLAIMER: DON'T WATCH IF WATCHING PEOPLE PUKE MAKES YOU PUKE OR GO OH MY GOODNESS WHY I NEVER TSK TSK TSK DISGUSTING! 

Watch just behind the soloist here. That blue sea of choir robes parts pretty darn quickly.



I guess choir is really stress-inducing for kids. This poor girl is summarily hauled off after her emetic event rather heartlessly, I feel.



Now this boy is so hardcore that he keeps his arms folded and just LETS FLY.



HO HO HO...HURL! Watch the back row!



Quite truthfully, if I were onstage wearing no shirt and harlequin pants while playing a keytar very, very badly, puking would be the highlight of my performance.



And just for some fun 'round the other end, a newscaster has gas.



If Susan Boyle ever puked and farted onstage, I hope it would be all over Simon Cowell.

I WISH I COULD WRITE HEADLINES FOR CNN

Here's the plan: [Celebrity Name] + verb + modifier/noun.

Here's a photo of me working at home on this with the kids.


BRADFORD COX, SONY, AND THE TALE OF THE CHARITABLE BAKER


Imagine this scenario…say you are a professional baker feeling the holiday spirit, and say in that spirit, you feel like baking a big bunch of Christmas cookies one weekend at your home, using your own equipment and money to buy the ingredients, to give away to your friends and neighbors and a local nursing home and firehouse. You enjoy baking, you like people to enjoy what you make, and it’s nice to do charitable things sometimes. Win-win. Now imagine this…you’ve finished baking and delivering your delicious cookies and when you return home all pleased and such, you are inundated with sad and irate phone calls telling you that a representative from Pillsbury swooped by your neighbors’ kitchens and the nursing home lounge and the firehouse and took every single cookie away, saying you as a professional baker cannot give away your cookies, and Pillsbury has the right to stop everyone from eating them. You are deeply confused, as you work for a small local bakery in no way affiliated with the large food products company, and didn’t even use Pillsbury-brand flour in your cookies. You ask your friends and the angry elders and irate firefighters to contact Pillsbury to express their dismay. The local news outlets pick up the story and it travels quickly.

A couple days later, Pillsbury releases a statement to the press saying they made a mistake in taking your cookies, and they return them to you. You re-deliver them, but you are rather shaken by the whole experience. It was so easy for Pillsbury to do, you think, because they are a huge conglomerate and you are just a modest baker. What if the media hadn’t come to your defense? You would never have been able to legally take on such a big company to get your cookies back – they could easily meander through the court process until you were out of lawyer money, which would be in about a day. Why did they do this in the first place? What’s to stop them from doing it again?  Whose interests were being served by the action in the first place? Was it a “mistake?”

Makes you feel like giving up on baking sometimes.

My broad allegorical tale here refers to this weekend’s kerfuffle starring prolific musician Bradford Cox (Deerhunter/Atlas Sound) and Sony Music Entertainment. In short, Mr. Cox uploaded 4 albums worth of his home-recorded music (Bedroom Database Vol. 1-4) to his own blog for free download. These recordings were not previously-published nor under contract to his record labels, 4AD and Kranky. Sony has no affiliation with either label, nor has any claim to anything produced by Mr. Cox, other than a Bob Dylan cover on Vol. 1, which they didn’t ask be deleted. Without taking that into consideration, someone at Sony decided to contact Mediafire, the company that hosted the upload links, with a cease-and-desist order, and Mediafire killed the links, of course assuming that Sony had the right to make its request.

An honest mistake? Not really. If you as a giant corporation want to protect your interests and the interests of your artists, of course you have the right to do so under the Copyright Act. What you don’t have the right to do is trample on the rights of others in the process and then go, “Whoopsie! Sorry ‘bout that!” If you want to try to catch every instance of filesharing, you have to further make the commitment to do so responsibly and with good intent. Using your clout to threaten businesses with closure, wiping out entire blogs for posting a few MP3s, suing children, and claiming rights over content that clearly doesn’t belong to you makes you seem desperate, unrealistic, and downright creepy. Where does it end? How about making a request FIRST that legitimate offenders stop their actions, and how about making sure you’ve identified a true legal threat before you seriously mess with other people’s businesses and lives?

The music business is never going to return to the old model, and strongarm tactics and privacy violations are no way to reinvent the wheel. I don’t think most artists want their work to become entangled in endless vicious legal nightmares, where they have no say at all about how their record company chooses to “protect” them. At least I hope so, and would further hope that any artist looking to sign with a major label hires one kickass entertainment contract lawyer to make sure he or she can live with restrictions placed upon their creative content and the legal action their songs may someday be involved in. There is a cost to every choice you make.

I hope Bradford Cox returns to his bedroom and bakes us up more delicious music, and that Sony Music takes the time to put on some oven mitts before pilfering goods from the hot oven next time.



LOW LIGHT LAKE

It was about 4PM or so, while I was taking a shower, that I got an idea. Showers are good for thinking, because all my tasks in there are so autopilot that my brain is completely freed up. The day I do a shower think and come out with dry hair and still-soapy butt is the day I am officially Too Old To Multitask.  Anyway, there I was all a-thinkin' and a-soapin' when I looked through the glass block to see a very pretty orange sunset beginning. PING! a brain cell went! HEY! it said, you need to take some photos of the kids for your mom because her birthday is coming up and she'll pay you, like, $100 a pop for 'em. NO! it wouldn't be AT ALL OK to accept money from an elderly doting grandma for that, you terrible person! HEY! I know, I know, just kidding, man. OK! you just watch it, there, lady.

This went on for awhile in my head until I realized that HEY! the sun was kind of going down fast, and since all three kids were in the house, it was NOT RAINING, and I had new camera stuff to play with, BEST HURRY UP. I flung myself out of the shower, quickly dried off and dressed, and yelled to the kids to JUSTLISTENAMINUTEGETDRESSEDWEAREGOINGTOTHELAKERIGHTNOW. They all said HUH? and I repeated that three times. Remarkably, it worked.

We live very close to Lake Washington, which is the long lake that separates Seattle from the Eastside suburbs, and it took no more than a couple minutes to walk to a tiny park and a very steep secret pathway covered in wet slippery fall leaves that led to the water. I carried my new equipment like a 4th baby, hesitant with my steps, while MissEight and Mr12 ran ahead. I think CouchTeen was texting. I am a total fan of available light and almost never use flash. When a good light opportunity presents itself, I want to take advantage. What an odd troupe we must have looked like.

So here are a few of the photos I got. It was significantly darker outside than it appears from the photos -- all hail fast glass! I got in some practice with the new gear, the kids got to throw rocks in the lake, and Grandma will get her photos.









































I bothered them for awhile, then released them to Home, with CouchTeen leading his siblings. I stayed for a few minutes longer to look at the sunset and bother some ducks.









































By the time I trudged up that hill, it was pretty dark and chilly, and the sounds of squirrels skittering in the trees sounded much more strange. Squirrels are not bears, I said in my head, multitasking.