LAUNDROMAT

Brandon Maples stared at the clattering plastic box fan set inside the back doorway to the laundromat and ran the back of his hand across his sweating forehead. It’s hot as goddamn hell in here, he thought, irritated at the uselessness of the ridiculous single fan against the Houston July humidity. The heat from the big commercial dryers only added to the misery. But you couldn’t leave – the minute you did some little bastard would steal your clothes, right out of the washer even. Goddamn place. He took a long gulp from his big can of Budweiser and looked at his watch. 11:42AM. Another hour at least. As he watched a gray-haired Mexican woman finish folding her laundry into a avocado-green basket, he thought about the noise his truck made this morning, how it was not good, and how that was about the last thing he needed right now.

What he needed right now was another beer. He stood, sweat running down his back to his jeans, walked to the double glass door out to the parking lot back to his truck, where the last of the full cans sat on the passenger seat. Crushed empties lay on the floor, along with old receipts, fast-food wrappers, and a few music CDs. Brandon took the can, popped the top, took a drink, and walked back to the laundromat with it in hand. The door had “SUNNY DAY LAUNDROMAT – WELCOME!” painted on it in bright jumpy orange letters, with a large cartoon of a winking and smiling sun carrying a full basket of freshly-laundered towels. He glanced down by the doorway and saw a cigarette butt, an empty Big Grab bag of Cheetos, and a syringe. Sunny Day, right, he thought angrily. He pushed the door open hard and let it bang against the detergent vending machine. The Laundromat was empty now, except for one small pair of black eyes, looking at Brandon from the back of the room.

It was an Asian girl, about 7 or 8 years old, in a sleeveless pink dress, her black hair pulled back into a loose ponytail. She was folding laundry at a table, alone. Look at that crap, he thought, kid should be in school on a Tuesday and some immigrant idiot has her doing laundry, alone, here, in this neighborhood. Unreal. He shook his head, sat on one of the yellow plastic chairs, stretched out his legs, and drank his beer. Goddamn people. Fucking everything up.

After about a half an hour, the girl finished her folding and gently picked up each pile and placed them inside brown paper grocery bags, and made a small neat line with the bags near the back door. She then wandered around the room for a bit, stopping to stare at one of the huge tumbling dryers going around. She picked up a magazine called “El Mundo Total,” flipped through it for a few seconds, then dropped it back on the table it came from. Finally, she walked past Brandon and as he looked up at her with a frown, she sat in the chair two places from him, swung her legs, and looked at him with some curiosity.

“What do you want, kid? Money? I ain’t got none.” The girl just stared back at him with a blank expression. Of course, Brandon thought, kid don’t speak English. Houston didn’t have no one left who was American, he grumbled in his head, all goddamn gooks and spics was all there was now. You’d never know what the hell country you were in just by looking around. Too many goddamn people, not enough jobs, not enough room, not enough anything.

“Kid, go find your mama, I ain’t got shit for you.” She kept looking at him, which was starting to bother him, and he felt a rising frustration. He set his beer on the dirty tile floor and turned in his chair to face her.

“Guess what, kid? I ain’t got shit for you, and I ain’t got shit for me neither. You wanna hear my story? You ain’t gonna understand a goddamn word anyway. I lost my job seven months ago, how do you like that?” He paused; her expression didn’t change. “Yeah, seven months now, no one in this town got shit all for me, not construction, not driving, not a damn thing. Five years in that job and it didn’t mean a thing. Now I got nothing. Nothing.” The girl shifted in her chair to fold her legs underneath her.

“I don’t know what I’m gonna do. I got nothing for rent, I got barely enough to pay for gas and eat and finish this laundry. My mama said nothing is better with her and her boyfriend in Vegas, so don’t come there. Jared joined up and is going to fucking Afghanistan, Shelley got a baby now, I can’t go by her. She said, well, go up to Denton and move in with great-grandpa, he’s so out of it, he’d never even know you was there!” Brandon let out a laugh, and the girl smiled at him. His smile faded quickly and he looked into the girl’s face. What the hell was she doing here. He let a minute pass, seething. “Every time I go somewhere, it’s all you people swarming around, taking work for less. Taking food out of my mouth, that’s what it is. This country kicked your fucking ASS and now y’all come here and steal us blind!” He kicked the empty beer can for emphasis; it clanged across the floor until it hit the far wall.

The girl did not flinch, but instead rose and walked over to the rolling laundry carts. She dragged one in front of Brandon, and pointed and nodded for him to take it, then pointed at the dryers. He glanced at her, a little jarred, then looked at his dryer. It had stopped. He looked back at her, and she smiled again. She was missing one of her teeth, he noticed. He got up, sweat now soaking through the back of his t-shirt, and grabbed the edge of the wobbly cart and rolled it over to the dryer. The girl followed behind him. He opened it, greeted with a blast of hot dry air, and started throwing his clothes into the basket. The girl began to take each item from the cart, one at a time, took it to the table, folded it precisely, then brought it back to Brandon, each one like a little gift.

He stood there, and watched her, and said nothing. The cart filled with neat piles of t-shirts and jeans and underwear and socks. When she had finished, she gave the top shirt a little pat.

“Kid.” Brandon looked down at her little face, paused, and spoke again, more quietly. “Kid, I got nothin’ to give you.” A car horn from the back lot gave two short beeps and the girl startled a little, smiled at Brandon and waved to him. A thin Asian man appeared at the back door, moved the fan aside and began to pick up the brown bags of laundry, four at a time. The girl picked up the last one and followed him outside.

Brandon stood for a second and watched her go, then dragged the cart out through the front door to his truck. He lifted the piles of laundry onto the passenger seat, almost like they were breakable, then dragged the cart back inside.

He got into his truck, and turned the key in the ignition. Click click click, it went. The engine didn’t turn over. Click click click click click click. He turned it again and again. “Mother FUCK!!” Brandon pounded the steering wheel with both fists, then rested his head on it, and stayed that way for some time.

As the sun burned through the haze of the afternoon clouds, Brandon got out of the truck again, went back inside the Sunny Day Laundromat, grabbed the same wobbly cart, loaded it with his laundry and the CDs and papers from the glove compartment and some tools hidden under the seats. He looked around at the Shell station and Big Top Liquor and U-Pawn-It and Thuyen-Le Bail Bonds and the 7-11 and all the faces and the cars and began to slowly pull the cart down the bumpy broken sidewalk, going north.

NO 4

Let me say this again, and be really clear: ADAM LAMBERT IS NOT ROCK N' ROLL.

I DON'T CARE IF HE IS ON THE COVER OF THE LATEST ROLLING STONE. Lady Gaga was on and she ain't rock n' roll either. Or Britney or the goddamn Eagles, for that matter.

Argh. Help me, someone!

Can he sing? Sure. Is he flashy and good-looking? I guess so. BUT. SIGH. He's a performer. That is way way way different that being a rocker.

How can I explain? If you don't KNOW, you aren't gonna know by anything I say. It's more Disney-fication of MY ROCK 'N ROLL. MINE! MINE MINE MINE!

That kid sold his soul to the DEVIL, which is exactly what the whole American Idol franchise is. Clean, sanitized, soulless music for the masses. Eyeliner and leather pants don't make a damn difference, Adam. You ain't it, ain't never gonna be it. Take your money and run to Vegas or Broadway or a tour of malls, I don't care.

To make myself feel better, I smacked the SHIT out of my drums to this song today. RRRROOOOOOAAAAARRRRR!!!!!!! That THAT, hucksters, shysters, and panderers! HAH!

Radio Birdman -- "What Gives"


TREADONME

I don't know how or why runners do it, jogging outside with other people and crap all around. Just about any time of day, there are runners here -- everyone from Buff McFit to Lardy McChafenthighs. I watch them as I zoom by in my car, weaving around walkers, dogs, strollers, and something that really irritates me: when they jog in place waiting for the walk light to turn. I just don't get it. When I am in run mode, I don't want anything at all to stop me, get in my way,or annoy me any way.This is why I do not run downtown with all these other folks. They can have their lovely lake views and mile markers and rain and traffic and dog leashes that trip them and leave them lying bloody and NO LONGER RUNNING on the sidewalk. Bah. Give me my treadmill.

I love my treadmill. It does exactly want I want it to. It has no weather issues and also has a small fan to generously cool me. This is another reason I don't want to run outside with crowds of people, because I SWEAT when I run. Who wants to see that, some old beeotch slogging along all nasty and salty and probably red-faced and mouth-gaping too? I look ridiculous anyway: headband for sweat so it doesn't run into my eyes and all over my glasses; wrist bands to stop my hands from getting all wet; fingerless exercise gloves to further stop sweat hands, the mono-breast sports bra, a coolmax shirt, and black spandex capris. I look like a reject from Fame or a Jane Fonda workout video. Oh, add the pink iPod clipped on to the bottom of my shirt and we have nothing that anyone needs to view. I can be as sweaty and fail-looking as I like in my own home, thank you.

With my treadmill, I can focus on the whole point of running, which is GO. I feel efficient and goal-oriented, and never will stop at the coffee shop with the delicious strawberry-rhubarb bars because there is no coffee shop in my bedroom. Just the tread and me and a bottle of icy cold water, which my treadmill thoughtfully holds for me so I can sip it down in the course of my hour.

The thing that I like best about it, something that makes me smile, is the tread itself. When I am GO, and especially during a sprint song, sometimes I feel like I am not going to finish the song without dropping the speed down. I am the unlikeliest runner ever anyway -- it isn't my design nor nature to do anything that takes effort. Ha. But sometimes when I am flagging, I look down at my running feet and watch them going in time to the quarter-beat of the song: puh BAM puh BAM puh BAM. I see the tread speeding along in its circle, and it reminds me of sitting in the backseat of my parents' car when I was little, watching the gray road whizzing by and me counting the white lines, one after another, steady. It felt zoomy and exciting. It felt like I was somewhere, exploring, out in the world and going. How can I stop? And before I know it, I have finished the faster song, bring the speed down a bit, and it feels good.

You can't do that outside because you would eventually run into a tree and the City would sue you for Damaging Public Property Though Severe Lameness and Sweat. Lots and lots of sweat.

SUSHI 3

Orange melty smooth
Pearly white sticky
Salty tangy brown
Green fuzzy hot
Clear icy burn

BITCHES!

I had sushi tonight!

JENN

At almost 10PM, the sky still wasn’t pitch black, as it would be at 5PM on any winter’s night. It remained a glowing grayish-blue, reminding Ryan of summer evenings when he was a kid and could still be able to see a pitch thrown during a backyard baseball game well past his regular bedtime. He leaned back in his chair on the brick patio of the restaurant and took a long swig from his beer bottle. It was his pal Jason’s 30th birthday and the laughs and shouts of the party and the chatter of all the people walking along the boardwalk mixed into the Friday night air, happy, light. He surveyed the passers-by, a few with dogs or kids, mostly couples, eyes stopping longer on the very cute restaurant hostess with the short blonde hair who walked another group to their table nearby.

Glancing out again to the boardwalk, he saw a couple walk past quickly, the girl in a white sundress and clunky pink platform shoes. Jenn.

How is it possible, in not even a single second, to see her face in the bright morning light of the kitchen, hair pulled back and messy, wearing a tank and sleep shorts, smiling that beautiful smile and laughing, cutting up fruit for breakfast? To feel the softness of her forearm as it brushed against his? To remember how she would always stop to pet any dog, no matter what it was or if they were late? How she would bite on pencils, leaving little tooth marks? How she hated beets and geese and The Price Is Right? How she smelled like ice cream and geraniums and Coppertone? How she got quieter as he got quieter, how she got sadder as he withdrew, how she tried and tried and one day she just didn’t come back?

Ryan stood up from the chair and searched for her in the distance. They had paused at the railing by the beach, and even in the dimming light, he could see her laugh at something the guy said, and she reached out and touched his arm. Ah, man. It was Ethan Morris from the Comp Sci department. Shit. Not that guy. Not any guy.

Jason barreled up to Ryan, drunk and loose and happy. “Hey, man, you ready to move on to the club? Gonna be great!” His grin was a mile wide.

Ryan looked at his friend, smiled, patted him on the back. “Yeah, man, get Kenny to bring over the bill and we’ll get going.” Jason made his way through the crowded restaurant, and someone started singing “Happy Birthday” and everyone joined in, loud and off-key.

When he looked back to the beach, Jenn and Ethan were gone. Ryan stared dumbly at where they had been for a moment, pushed aside the little sick bubbly feeling in his chest. Maybe that cute hostess would come over to the club with them, he mused. He pulled his credit card out of his wallet and slapped it on the dinner bill, didn’t bother to look at the total, and finished his beer as sky decided to become night.

HA 13

I wish I had written this, HA HA! Gratefully reposted from
http://www.nationalcynical.com/words/depressed.html

Guide to Being Depressed and Miserable

1. Isolate yourself. Pull down the shades and don't let any light in. Don't answer the phone. Take off all your clothes and just stay inside and don't talk to anyone. Lay on the floor of your closet and weep softly. Don't shave for 3 days, then stare in the mirror at your own bloated, pasty, bleary-eyed expression.

2. Fixate on negative things. Television is a good source for this. Watch TV news programs all the time. Tape the most disturbing ones and watch them again and again. Fixate on 'mistakes' you've made in the past, or painful childhood memories. Cultivate a sense of self-hatred. Start a collection of disturbing pornographic images and look at them obsessively. Wallow deeply and steep yourself in your own emotional diarrhea.

3. Cultivate a sense of meaninglessness. Take up wall-staring as a hobby. Take a bath and then spend an hour or two staring at the bathtub drain as you listen to the sound of our own breathing. Pound your head rhythmically against the cold white refrigerator door as you moan plaintively. Lay in bed in a fetal position and rock back and forth. Pass out with your head underneath the toilet bowl. Watch Pink Floyd--The Wall obsessively and listen to NIN's 'The Downward Spiral' simultaneously. Try to always think of life as a swirling, sucking eddy of absurd despair punctuated by brief moments of false hope.

4. Alienate others. Ask questions but don't listen to the answers. Become immersed in your own inner little world. Act rude and insensitively and then blame the consequences on other people or better yet, take it as evidence of your own lack of worth. Randomly cross clearly drawn personal boundaries. Lose all sense of appropriateness. Lose your temper unpredictably or weep uncontrollably in order to manipulate others. Hate yourself for doing this. Then, beat yourself up for hating yourself.

5. Sleep all the time. Get a good 20 hours of sleep a day. This way you won't have to deal with a painful life and only have to deal with the world of dreams and fantasies. Remember, your bed is your friend and will always sustain and comfort you unlike the cruel outside world.

6. Avoid all physical activity. Again, staying in bed is good for this. Try to stay on your back at all times. Lying on the floor is acceptable too. Get a good fetal position going. Whine pathetically to yourself. Watch more violent television programming. Keep the TV remote control by the bed at all times so you won't have to get up and look for it.

7. Eat poorly. In a 24 hour period eat only a half spoonful of peanut butter, some jelly, and two gulps of water. Spend the rest of the time sleeping. Eat all your meals at fast food places, ordering the unhealthiest thing on the menu. Eat hot dogs from 7-11 for all your meals. Avoid salads. Drink as little water as possible, it will only cause you to have to get out of bed to urinate.

8. Whenever possible, cultivate a sense of fear in your life. Be sure to obsessively imagine the most violent and disturbing outcome to any situation. Routinely imagine escape routes in case an armed maniac starts shooting at you. Freak yourself out! Contact all your friends and tell them you are freaking out then feel guilty and unworthy of the attention they give you. Be hard on yourself! And encourage others to be hard as well.

9. Think about death a lot. Rent 'Faces of Death' videos. Watch more violent television programming. Try to look at life as a violent and painful experience at the end of which is just a meaningless and probably excruciating death. Think about this a lot. Talk about suicide and disturbing things in order to alienate others (see #4). Check out books on violence, torture and serial murder from the library until the librarians give you strange looks. Work on your will.

10. Always pick the hardest way to do something. Set yourself up for failure. Cultivate a 'will to fail'. If it looks like you are going to actually succeed, be sure to somehow sabotage your own efforts at the last minute. Use your failure as further proof to yourself that you are a worthless loser. Repeat the words "I'm so stupid" to yourself over and over and over while grimacing and punching yourself in the head.

11. Lose all sense of personal hygiene. Don't bathe until a grey cheeselike substance forms on your skin. Shave once a week, and then onlly without using shaving cream or aftershave. Throw your deodorant away. Remember, if you make yourself physically attractive it will only attract people who will then see what a horrible person you are. Use other people's avoidance of you as evidence of your own worthlessness.

12. Concentrate on your faults. Look in the mirror closely. Focus on every bump, zit, wrinkle, or nick you have on your face. Look at how skinny you are, or how fat. If something is less than perfect be sure to focus all your attention on that and think about it constantly. Think obsessively about every stupid thing you do or have ever done. Enlist the help of others and then feel unworthy of it. Drive yourself into a nervous breakdown.

13. Quit your job, stay home and jack off. Masturbate obsessively and feel guilty for doing so. Be sure to think all manner of disturbing thoughts and then use this as proof that you are worthless and deranged. Stop taking any care of your personal surroundings. Spend plenty of time in your messy and slovenly environment. Remember always, You Are A Bad Person. Bad bad bad bad BAD!

SITAR

One of the more notable trends in rock n’ roll was the influence of Indian music upon British Invasion bands of the mid-1960s. For me, this was a more-interesting fashion than, say, Convicted MURDERER Phil Spector’s Wall Of Sound production, which when done by him or any copiers really just was the equivalent of putting young girls in a metal garbage can and recording them singing from 1000 feet away. I also could have totally done without nearly every piece of pop music having a disco beat in the late ‘70s (and yes, Kinks and Rolling Stones, you both succumbed to this frippery, shame on you both) and the Rrrriot Gurrl years which really just supplied me with more information about Courtney Love’s crotch than I ever ever ever ever ever EVER wanted to know. Like, EVER. Eastern music inspired some very, very good records from our hungry-for-new-sounds British pals, so let’s take a trip back to listen.

Let us now thank British Imperialism, briefly, for England’s little foray into India did not just bring pasty white folks to that land, but brought lots and lots of Indian folks to Britain. Indian culture became part of the background of everyday British life. The bowler-hatted businessman was just as likely to grab a takeaway curry with his tea as some news-wrapped fish-and-chips. The flavor and traditions of Britain were rapidly changing, and music of course was part of that. Legendary sitarist Ravi Shankar, via some avid Western avant-garde jazz and classical musicians/fans, began to record and perform in Europe and New York City by the late 1950s, and Indian tunings and drones were picked up on by a few folk musicians in the UK and US around the same time. But the Brit rockers were the first to take those sounds into the hit parade in 1965.

There has always been some debate as to which group was first in releasing an Indian-influenced record, and I guess it really depends upon how strict one wishes to be with the definition. The British pop scene of 1965 was incredibly competitive, with the top artists vying to come up with new and better for the insatiable public every two or three months or so. You could say that The Yardbirds got the win by a technicality. In February of 1965, the band entered the studio to record Graham Gouldman’s song “Heart Full of Soul.” Manager Giorgio Gomelsky hired a classically-trained sitar player to play the lead riff, but in the end the band felt his performance was not quite what they wanted. This outtake of the session remained unreleased until 1984:



Jeff Beck took over, and turned his guitar into a cool razory approximation of the sitar sound, and this version of “Heart Full Of Soul” became a worldwide hit, released in June, 1965:



Ray Davies of the Kinks was also thinking about this sound at the same time, after a quick stopover in India with the band. “See My Friends” was recorded in April of 1965 using the band’s regular guitars filtered through Dave Davies’ trademarked fuzzy amp sound, and was released at the end of July the same year.

Ray Davies: "When I wrote the song, I had the sea near Bombay in mind. We stayed at a hotel by the sea, and the fishermen come up at five in the morning and they were all chanting. And we went on the beach and we got chased by a mad dog — big as a donkey" (Cott, 1969)



Also in April of 1965, the Beatles were filming their movie “Help!” in London. The basic premise to the movie is that Ringo is being chased by members of a probably-Indian pseudo-religious cult to retrieve a sacrificial ring – all in good Beatle fun, of course. There is a scene in the movie where the Beatles duck into an Indian restaurant, where a group of traditional Indian musicians are playing for the diners. It is said that George Harrison’s famous interest in Indian music began here. He purchased his own sitar soon afterwards, and played it on the Beatles’ “Norwegian Wood (This Bird Has Flown)” released in December, 1965.



And…of our big Brit bands, we have the Rolling Stones finally getting the sitar groove going with “Paint It Black” bringing the sound into 1966.



After that, “Raga Rock” was in full swing – everyone from the Turtles to the Cyrkle to BJ Thomas to Stevie Wonder, the Cowsills, the Monkees, the Lemon Pipers, the Move, well pretty much everybody. Ravi Shankar was feted at 1967’s Monterey Pop Festival, the Beatles went to India and grooved with the Maharishi Mahesh Yogi in Bangor, Wales until they got the news Brian Epstein had died and/or Ringo was fed up with a Hindu diet. By 1970 or so the Indian-pop trend was more or less over, but the influences are still felt throughout rock music today, adding a nice Eastern turn that still sounds fresh.

As my little gift to you, I give you the flip side of fresh, which is the most sour, hideous, and hilarious sitar playing ever recorded. Please to enjoy Rajput and the Sepoy’s cover of The Fifth Dimension’s “Up Up and Away.” HA HA HA HA HA HA!

PLUG 2

Todd is one of my oldest and dearest friends, from all the way back to the drum section of the Oconomowoc Junior High School band, where he was much much much much much better than me, and infinitely cooler, too. I love him. Go see him and Simon Stokes if you are in the Los Angeles area!

This Saturday, June 6. Taix. 1911 Sunset Blvd. Echo Park 10:00. Free!

“One of outlaw rock & roll’s consummate gravel-throated shit-stirrers, Stokes is a weirdly poetic thug as well.... His blues-based, country-influenced biker rock
features wild, innovative lyrics that twists from squirm-inducing candor to surreal humor in a flash, all framed by a chaotic electric crunch best described as a slick and greasy LSD nightmare/wet-dream meltdown. His latest release, Head, produced by former BellRay Todd Westover, is a flat-out masterpiece” -
LA Weekly

www.myspace.com/thesimonstokes

BEATLES 4

Look at this, you. The Beatles are now officially a video game, or will be when it is released on September 9, 2009:



http://www.thebeatlesrockband.com/

I look at this with some awe and admiration and a bit of head-shaking bemusement as well. It was completely and utterly impossible to imagine that 50 years ago (!!! almost 50 years! Holy Sgt. Pepper!) this kind of technology would be real and that the Beatles would still be the icons that they are. Absurd! Amazing.

It looks like a beautifully-produced game. I won’t be able to play it, because I have zero game coordination, but I can appreciate what they have done here. Just go ahead and watch this opening sequence:



That is as good as any modern-day animation I have seen, especially the ending sequence with “I Am The Walrus.” Just lovely.

It does not surprise me that the person who generated this project was Dhani Harrison, the 30-year-old son of the late George Harrison. He is just the right age to understand how important video games are in reaching people, and how this is another fantastic way for kids to become Beatle fans and for Beatle fans to enjoy the band even more with the interactivity of the game. Another relative (pun) “youngster” joined in the project, producer Giles Martin, who is the son of George Martin, the Beatles’ producer. Giles also helped bring the Cirque du Soleil’s hit production of the Beatles’-based “LOVE” show to fruition, so he knew how to work with the music in fresh ways.

I am so pleased to see that all in the Beatles camp were able to collaborate and set aside any remaining discord to get fully behind this project. I am sure it will sell very well, but more importantly, it lets more people discover and love their music in a new way, and that is very good.

It sure is a long way from this!

HA 12

I may make this my ringtone.

ARIDZONA

Moving to Arizona from Wisconsin at age 22 was like moving to the moon. Except with more gravity and ponderous crawling traffic.

We traveled very little when I was growing up. Indiana was the farthest I had been, and I didn’t even get on an airplane until I was 18 years old, and even that was only the 30-second jaunt from Chicago to Detroit. Over the next few years I traveled much more in the Midwest, and then made my way over to the East Coast, where everyone sounded like a movie thug and looked like Jerry Seinfeld. But even the East was somewhat similar to the Midwest in climate and terrain and a mix of history and farmland and scary-looking old Industrial Revolution buildings. The Wild West was calling me.

I was 21 when I landed at the Phoenix airport for the first time. It was sunset and I stared in awe at the huge tall palm trees set against the pink-purple of the sky. The psychedelic orange fireball lowered slowly as we drove off. Groovy.

I’m in the friggin’ DESERT, I thought, look at me go. Ha! The hell kind of place is this? Everything was low and new and tan. Dirt that looked dryer than any dirt I had ever seen and CACTI! I honestly expected Wile E. Coyote and the Roadrunner to pop out anytime. People actually lived here? WOW. Those people, especially the girls, were tan and thin and much better-looking. It’s true. I felt like Farmy McMoo, with dyed platinum blonde hair.

I spent a few days out at the pool greedily taking in the trusty sun and 95-degree temps, scorching my paleness into some sort of pink burn-tan, pleased as could be. SUN! YAY! This was more like it – screw winter and snow and clouds and all that. This was the life. So a year later I moved into my boyfriend’s crappy ‘60s-era red brick rental ranch in Scottsdale, with the caveat that he kick out his crappy weird friends and his extra-crappy girlfriend, too. So he did, and we enjoyed the fun that is a non-air-conditioned home in Arizona that we could not afford or maintain. As the pool turned to frightening green sludge and the bills piled up, we found an apartment that was better suited to his salary as a hotel bellman and my salary as a completely-unemployed person. I sold some photos and cassettes, but it was a meager income, and my folks tossed me a few hunnerd every month, probably to assure that I would not move back in with them. Heh.

After a few months, the sun and the desert and the weird stuff that grew there ceased to be novel, and I was left with, well, not very much. I didn’t know anyone, I wasn’t working, I didn’t really know at all what I wanted to do, and the bf relationship was rollercoaster at best. I started hiding from the heat, and would sleep during the day and stay up at night. We drove around in the dumbest car EVER to own in Arizona – a 1964 Corvair Monza Spyder convertible with black vinyl seats with an air-cooled engine that constantly broke down. I’d put a towel down on my passenger seat, and it still was hot. Blast-furnace hot hot hot all summer, with relief in the fall and winter.

But even the cooler temps didn’t improve my mood, and I became depressed. The isolation and lack of connection and lack of purpose was too much. Aware of my sucking vortex of sad, I would force myself to go outside once a day, walking over to the little strip mall behind our apartment complex. It was the only place I could go on my own – I didn’t drive then and was too intimidated by the buses. I hardly had any money, but I’d buy something, anything, just to have an excuse to leave the apartment, to stop thinking for just a moment. On top of that, my dear old cat, whom I had picked from the litter when I was nine, was dying of cancer. Oh, nice, huh?

I didn’t bond with Arizona, and I just had to leave. I don’t like being unhappy.

We made plans to move to Chicago, where I had close friends and would have the option to pop up to Wisconsin to get some decent food and the laundry done for me. There was nothing more we could do for the cat, no more surgeries or chemo. I sent her home to Wisconsin on a plane ahead of us. I didn’t want her to die in Arizona. She died two days after she arrived back home, and my brother buried her underneath a tree at my parent’s house.

As we left Arizona in a U-Haul, towing our newly-acquired and even more stupid car, a 1976 Mazda rotary engine station wagon, I looked around for a moment and took it all in. What a surreal place, I thought. I didn’t know what to think yet about my time there, and I didn’t know if I would ever return. I had a feeling if I did, though, that it would be a very very long time from then.

SAHMTHING

As I was showering today, listening to the radio and thinking randomly about grocery shopping and soap and how fun it is to say the word “inequity,” the song “She’s About A Mover” by the Sir Douglas Quintet came on. Ahhh. Fantastic.



This was another of those songs that I instantly loved – how could you not! The combination of the Vox organ, the relentless CHUNK CHUNK CHUNK of the off-beat rhythm, and of course the GIANT voice of leader Doug Sahm. I didn’t know what the hell the lyrics meant, but I figured that whomever “she” was and whatever a “mover” was, it was all pretty neat-o.

The Sir Douglas Quintet, with the pseudo-Brit name and bowl haircuts and fancied-up fab gear outfits made a brief go at trying to pass themselves off as an English band, as this was pretty much the only way anyone got on the radio in 1965. But since some of the band was quite obviously of Mexican lineage and they all had heavy Texas accents, the ruse was short-lived. They didn’t need it anyway, really. Their sound was unique and cool, and was my entry point into the Tex-Mex sound: ? and The Mysterians (Texas via Michigan) with “96 Tears,” the 13th Floor Elevators and the awesome “You’re Gonna Miss Me (complete with electric jug), The Moving Sidewalks with “99th Floor” (an early line-up of ZZ Top), and then to my beloved Joe “King” Carrasco, my ding-dong daddy pal of 28 years now from Dumas, Texas:









Doug Sahm left Texas for awhile in the ‘60s after a run-in with the less-than-liberal Texas marijuana laws. Mixing his Texan roots with the hippy-mellow vibe of San Francisco, he and the Sir Doug’s came up with the brilliant album, “Mendocino.” I don’t think there’s really anyone who would argue that Sahm’s voice had as much soul and depth as anyone on the planet, and it is especially true on “At The Crossroads.”

Leaving you, girl, heading down the road
You left me many burdens, such a heavy load
And it sure does wig me out
When I think about what went down

Crossroad of my life passed her
When her face couldn't begin to recognize
Roll on through my mind
Till I took the time to concentrate on you

You can teach me lots of lessons
You can bring me lot of gold
But you just can't live in Texas
If you don't have lot of soul

Leaving you now for the very last time
Leaving you now, really blown your mind
And where you're living now
You are finding how the other half lives

You can teach me lots of lessons
You can bring me lot of gold
But you just can't live in Texas
If you don't have lot of soul

Leaving you now for the very last time
You really did it this time when it blown your mind
Someday a change will come
And you'll be beside me one more time, one more time
And you will be beside me one more time
You will be by me just one more time.



At The Crossroads - Sir Douglas Quintet

At the end of the summer of 1991, I was eight months pregnant with my first child. Ungainly, huge, and waddlesome, I decided that I wanted us to make the drive from Denver to Pueblo, Colorado to see Joe “King” Carrasco play at the State Fair. It was over 100 degrees that day, but weren’t nothin’ gonna stop almost-mama from seeing her rock ‘ roll. When you know your life is going to change and the change is big and coming up really soon, it makes things take on a bit of a different meaning. I had to go.

I watched their set from a chair at the side of the stage, so happy to be there, and they were happy to see me, too. I was given lots of bottled water, and shooed to the deliciously-air-conditioned band trailer every so often to keep cool. After the band was finished, we hung out and talked, picking up from wherever we left off. As the sun finally lowered, some of us decided we wanted to head over to the main stage where Doug Sahm and his new band, The Texas Tornadoes, were set to play. This was really exciting for me, as I had never seen him play before.

The fairgrounds were huge and it was quite a walk, but I was game, all well-hydrated and rested. As our fairly sweaty rock n’ roll troupe made it over there, we had to cross a very large and very bumpy dirt field which I think had hosted the rodeo earlier in the day. Joe and bassist Chuggy without hesitation both took an elbow and helped me across, even though I really was fine and didn’t ask. Texas manners. There was something so kind and decent and touching and funny about that small thing that I have never forgotten it. Two rock and roll dudes helping a giant pregnant woman across a plowed-up field sprinkled with dung, ha.

As it turned out, our timing was off and we arrived just as the Texas Tornadoes finished their set. We were all really disappointed. After a bit, Joe left, and when he came back, he was with Doug Sahm, who was wearing a huge white Stetson hat and looked like a star. I shook his hand, lost for words, and he smiled and tipped his hat to me. I glanced over to my right and saw the legendary Freddy Fender grinning at me.

“How you doing, Mama?”

“Fine, thank you!” All I could do was just smile and smile.

Aw, man. So cool.

Doug Sahm passed away in his sleep in 1999, and Freddy Fender died in 2006. Joe “King” lives in Mexico now, and still plays his music and makes people happy. I had my kid and two more, and still marvel over the things music has brought into my life.

Thank you, Doug.

SECONDSHIFT

I see it too much. This look on a parent’s face: a tightness to the jaw, a grimness to the mouth, fatigue and frustration, picking up their children at the end of a school day, rushing off to the next thing. Hurry up soccer, hurry up piano, hurry up tutoring, hurry up dance hurry up hurry hurry hurry we have to be there in 15 minutes. Get your backpack pick up your jacket have you got your homework, let’s go.

Second shift kicks in, after a long day at work.

We train these kids to get on the hamster wheel, thinking it is for their own good. Is it? When I think of it, I didn’t want to do anything after school when I was a kid. I wanted to go home and see my mom, who was always so happy to see me. She’d make a little snacky, ask about my day, and it was chill time until dinner, and I’d read or watch TV or listen to the radio or play quietly. It gave me a chance to process my day, to have my own thoughts, undirected by anyone or anything. After dinner if the weather was good, I might play outside with the neighbor kids until bedtime – some game or jumping bikes off a dirthill or exploring. I was responsible for myself. I could choose.

Second shift has time for none of this freedom. Each weekday is scheduled to the minute. Activities, doctor and dentist appointments, some sort of food shoveling called dinner, loads of mindless pointless homework, clean up, bathtime, and then it is time for the kids to hit the sack. The parents, fried, collapse in front of the TV because they don’t have the energy or focus to do anything else but take in Lost or Grey’s Anatomy or, my god, American Idol. It starts all over again too early in the morning, and goes on each and every year until the kids are shoved off to college and end up back home because they don’t know how to manage without someone telling them what to do.

The parents say to them, “We provided you with everything!” and don’t even hear what is behind those words.

Where is the sweetness of unfilled time? What kind of people do you create without it? Those who feel bored and jittery if they don’t have some kind of outside direction or electronic stimulation to feed them? Where are the ones who can daydream, who can think of the new ideas to bring to the world, ways of saying and creating and building and being? More ominously, what kind of people do you have who are conditioned be shoved from here and there and never question it and end up craving it? Some nasty politician’s dream, is what.

Your child isn’t going to be a pro basketball player or a concert violinist even with all those years of lessons. What they are going to remember from all of it is that look on your face, the tightness of your jaw, the grimness of your mouth as you tell them over and over, hurry.

BADREMUTATION

I will have you know that my Remington Wet/Dry Shaver is in the exact same key as Joan Jett's "Bad Reputation."

WALTERANDALBERT

News ain’t what it used to be. Well, the content is more or less the same: people doing good stuff and bad stuff, weather-related mishaps, and rampaging animals. I think that covers it, yes. But the standards of journalism = (insert sound of spiraling kamikaze airplane here). Is anyone with me here? Anyone? Probably a few of the old-timers left at the newspapers who can remember the days when there was a distinct line between The Washington Post and The National Enquirer. Content was well-written, reliable, and there was the sense that it was important that the news be delivered in a truthful and professional way. Now every media source is so desperate for readers and viewers that those boring old standards have given way to general sloppiness, sensationalist headlines, and story after story about complete freaks likes Octomom, Kim Jong-Il, and Paula Abdul. Why doesn’t Kim Jong-Il shoot missiles at Octomom and Abdul? There’s a story.

My point that I am trying to deliver in my way, which is confusing and rambling, is that I grew up thinking that the news was sacred and important. I believed that you should be able to rely that what you were told was the truth, much like what I thought about the government. Sigh. I also thought it should have some humanity as well. Here are two news figures that loomed large in my life.

My family, like most Americans in the 1960s, got their televised evening news from CBS’s Walter Cronkite. NBC had the well-respected Chet Huntley and David Brinkley, but they were dry as dirtbombs. An hour with those cats every evening was like watching paint dry. ABC struggled with a rotating cast of newsmen: a too-young-then and too-Canadian Peter Jennings, the stiff Frank Reynolds, the interchangeable Howard K. Smith and Harry Reasoner, and a couple of other dudes who didn’t last long.

Walter was the man. He was a journalist straight out of Edward R. Murrow’s legacy: someone who was curious about the world, intelligent, passionate but thoughtful and controlled, experienced, and had a sense of humor. Walter Cronkite believed, and it was completely evident in all his work, that the American people had a right to know the important things of the day free from government interference, network honcho pressure, or the personal bias of the reporter. The people trusted him, and he never let them down, through some of the greatest national tragedies and triumphs, or just the stories of everyday life. Walter Cronkite is like the rock star of journalism to me, and I think I would either cry or hop up and down with joy if I were ever so lucky to shake his hand.

Now let’s talk about Albert The Alley Cat.

If you didn’t grow up in the general Milwaukee area during the ‘60s and ‘70s, you will have no clue who Albert was, but if you did, you absolutely know. Albert The Alley Cat was a puppet, YES A PUPPET OF A CAT THAT IS RIGHT, voiced by Jack DuBlon on WITI-TV. Now I don’t know about the rest of you folks, but I feel darn lucky to have had a CAT PUPPET help deliver the weather reports on the 6PM and 10PM local newscasts. Albert was legendary and beloved, paired with Kennedy-haired weather man Ward Allen. He was feisty and comical and misspoke constantly (“the humidery was 90%), and was also featured on WITI’s “Cartoon Alley” and “Funny Farm” programs, so I was Albert-saturated. It was fun to have a little levity in the newscast, and Albert also helped a generation or two of kids become more interested in the news around them via propinquity, I bet.



Walter and Albert. I loved them both. Look at this:

Albert The Alley Cat’s “Cartoon Alley” switched from evenings to mornings on January 8, 1962. Walter Cronkite started anchoring the CBS Evening News on April 16, 1962. I was born on April 6, 1962.

After a complaint from their snooty new qualified weather man Tom Skilling and the American Meteorological Society, Albert The Alley Cat was dropped from WITI’s news team in January of 1981. Walter Cronkite retired from the CBS Evening News on March 6, 1981. I turned 19, and sadly said goodbye to my lifelong news friends, the consummate broadcast journalist and a silly kitty puppet in a knit hat.

That's the way it is.