Today is Joey Ramone’s birthday. He would have been 58 years old if he had been able to beat the cancer that ended up taking him off the planet in 2001. Of course, Joey was the lead singer of the incomparably wonderful punk pop band the Ramones, who rocked the world for 22 years out of Queens, New York. Time has not been too kind to the Ramones – a year after Joey died, Dee Dee Ramone died of an overdose, and Johnny Ramone lost his own hard fight with cancer in 2004. It is certain, in that unfair Van Gogh type of way, that the Ramones are far more popular and beloved today than they were in all those years they were playing and putting out records. Time has come today for me to tell you how much I appreciate them now, and why I didn’t earlier.
When I first read about the Ramones – likely at least a couple of years before I got to even hear them out in the hinterlands of the Midwest – I didn’t quite know what to think. This was the mid-‘70s, and music was solidly Album Oriented Rock. Think Kansas, Supertramp, Led Zeppelin, REO Speedwagon, Pink Floyd. Glam was petered out, my dear Kinks were thick into concept albums, the Beatles were having scattershot solo careers, and complete and utter CRAP like “Muskrat Love” and “Afternoon Delight” made me embarrassed to have ears. I was still in mourning for Mod. The hot look for guys was a Qiana shirt unbuttoned to mid-chest and wide bell-bottom pants. So, here are “The Ramones,” I read, wearing black leather jackets, straight-leg Levis, and white t-shirts. I thought they were greasers with long bowl cuts and greasers were WAY WAY uncool. This was clearly some kind of strange New York City thing, I thought, and not for me. They’d never make it.
So when I finally heard them and their breakneck under-two-minute-long jackhammer songs, I took their appearance and the similarity of the songs and dismissed them more or less as a novelty act. I thought they were kidding. I didn’t at all dislike them, but I didn’t give them much of a shot. They certainly were NEVER played on mainstream radio, I can tell you that. It was not an easy thing to hear the Ramones, or find their records in Wisconsin. But I kept reading about them and CBGB’s and Max’s Kansas City and Patti Smith and Television and all the people over there who seemed so serious about their music. The “punk” I knew was garage rock from the ‘60s – I wasn’t really too thrilled about the term getting appropriated. I was still a young teenager, and bitter about how rock music had bloated and about died, and viewed anything at that time with suspicion.
I started perking up when it became clear to me that many of the punk and new wave bands of the ‘70’s were fans of the same music I loved – it was just coming out in a different way. I think I started “getting” the Ramones when the movie “Rock n’ Roll High School” came out in 1979. The deliciousness of the film was that the Ramones were featured as the world’s hottest rock band. It was so silly and implausible, and that made it wonderful. As teen rock fan “Riff Randall” (played by actress P.J. Soles) drooled over the decidedly-very-unhandsome Joey Ramone, the bands’ complete lack of acting skills just made it all even better.
The Ramones weren’t a joke band. They loved music, they had a sense of humor, and they were able to strip rock n' roll down to the bare bones minimum. They were always, always, THE RAMONES, and that was just fuckin’ awesome.
I became a fan, and remain so to this day. Happy Birthday, Joey.
If you ever have the chance to be tagged to get up to dance to a melange of acoustic, electric, and digital noise, by god, I hope you do it. I hope you do. Dan Deacon at The Vera Project, Seattle, 4/25/09 (thanks, KEXP)
The beauty of her, it came to me one day as I watched her again board the #56 bus we shared each workday, was not expressed in any kind of classic way. Her face, although blessed with high cheekbones and clear golden skin, was plain, with no features to particularly note as pretty. She was thin and tall with reedy arms and legs, dressed rather drably, and her brownish-blond hair was always pulled back into a loose ponytail. No, her beauty was in how she moved, the way she carried herself. Maybe it was because I saw her over the years repeat the very same movements every morning that I was able to see it in her: her grace, the evenness to her carriage, the elegant way she moved her hands, even just to place her bus pass back in her purse. I began to appreciate this about her, peripherally I suppose. It’s rude to stare.
There were other regulars on the bus, of course: the jowly Greek man with wild curly black hair who was always eating something out of a white waxed bag; the ancient woman who no matter the weather wore a tweedy long coat, a kerchief over her hair, support hose, and slippers; the angry-looking young guy who would sometimes appear with all his ginger-colored hair shaved off. Businessmen in suits carrying laptop bags, giggling loud teenagers in packs headed to school, sunken-eyed sleepy middle-age women no longer looking around to see if men were checking them out – they all came and went, every morning, all of us stuck for a few minutes on the #56, going and doing the things we had to do.
It was this young woman that I noticed the most, though, and I wondered sometimes about who she was and what she did, and if anyone else saw what I did in her. Sometimes I saw her eyes flick over me, apologetically-quick, and sometimes she would raise the corners of her mouth in the tiniest smile of recognition with a polite nod, and I would nod and smile back in the same manner. Public transport etiquette . Past that, we never talked or made further contact – she always chose to stand even if there were seats available, her head raised to stare out the window. She got off the bus at Broad and 7th with lots of other people who worked at one of the huge office buildings there or maybe the hospital. The bus would pull away, and she would be lost in the crowd, and that’s the way it was, every morning, as five years passed.
The Monday after Christmas that year was cold and slushy, and the bus was filled with tired and crabby people with soaked shoes, not ready to head back to work. She boarded as usual, and I absently watched her delicate hands bring out her bus pass and swipe it in the machine, and something new caught my eye: a bit of light dancing on a very small diamond solitaire ring on her left hand. Ah, the Christmas Engagement Ring! Without even thinking, I smiled broadly and was happy that she was found. As she walked past me, I thought I saw her tiny smile become a little wider, if only for a few seconds.
The second week of February added a gold band underneath her diamond ring. The Valentine’s Day Wedding, I was sure.
Spring came and went, and as summer began, I noticed something was not the same in the easy flow of her, the way she moved. It was so slight that it took me a few weeks to realize it with any conscious thought. She seemed hesitant, slower, the dance of her had changed. The answer was soon made clear by her rounded belly: she was pregnant. Her stick-thin arms and legs remained the same as the baby grew in a basketball-like protrusion from her middle.
One particularly hot, hazy, and sticky morning, she boarded the crowded #56 as usual, nodded to me as she passed, and reached for the overhead pole about a foot away. As the bus moved away from the stop, a bike messenger sharply cut in front of it, causing the driver to slam on the brakes. As the bus lurched, she veered backwards, then fell forward into the aisle, landing on one knee and an outstretched hand, awkward. Appalled, I instantly got up, retrieved her purse from the bus floor, and helped her to her feet.
“Are you all right? Do you want me to tell the driver to stop?”
Her face flushed, she brushed back the strands of hair from her face that had fallen out from her ponytail, and spoke with a surprisingly-steady voice, “No, no, I’m fine, really. It’s fine. Thank you.”
I handed her the purse, and we stood. As she reached again for the pole above her I pointed my palm towards my open bus seat. “Here. Please.”
She glanced at me, waited and considered for just a moment, then sat. “Thank you.”
When it was time for her to get off, I noticed that she waited to rise until the bus was at a complete stop and after most of the other people leaving had already pushed toward the exit doors. I left the seat open and stood the rest of the way.
A few more weeks passed, and then one morning she did not board the bus. Ah, I reasoned, she’d had her baby. Nice. I thought of her, maybe at that very hospital by her work, or maybe already in her home with her husband and child, feeling the coolness of the new fall air, grateful to be done with summer and to be back to her own rhythms again.
I was very surprised when I again saw her board the bus after only a week away. The basketball bump was gone, but there was no husband, no pink-faced long-limbed baby carried in a baby seat along with her. She moved with grace again, I thought, which seemed both natural and odd at the same time. Her head down, she made her way back through the bus and came to stand across from me. This time I did not try not to stare and I looked directly at her face. The bus started forward, and she raised her head, and her eyes locked with mine. As she looked at me – right at me now - and I looked at her, her eyes slowly began to pool with tears, and the tears began to spill down her face, one after another, running down to her neck, then resting on her blue dress in small spreading dark dots. I had never noticed before that she had green eyes, and did not notice that I was crying silently along with her until I felt my eyes reflexively squeeze shut to clear them.
As the bus came towards her stop and slowed, she let go of the pole, opened her purse, found a Kleenex and dabbed at her face, and walked out, shoulders perfectly straight, fluid, beautiful.
Five thousand pounds of laundry need to be sorted and put away before tomorrow morning. But eff that – it’s nice again today and I am gonna sit outside to try to raise my pallor from Corpse to The Very Ill. That’s like a full two shades up, pretty ambitious.
The first thing I notice as I bring out my boombox and bottled water and stack of magazines is that the $20 worth of steaks I had to toss in the dumpster yesterday has made the air smell like rotting death. This is not appealing at all, and seriously cuts into my enjoyment of my serene lounging experience. It is a testament to my desperation for some sun exposure that I will continue to sit there, breathing shallowly. Oh, well. It doesn’t seem to matter to the dog, who is on her side sleeping in the shady dirt. She probably prefers it.
A loud scary little black helicopter flies overhead and I squint up at it, frowning. It looks like a horrible black wasp, and I feel like shooing it away or blasting it with a jet of Raid WASP-NOT. Nasty thing.
Ko Melina’s incessant nervous laughter on her SIRIUS Underground Garage show also interferes with my happiness. Stop it, ma’am. When she stops talking for a second at least I get to hear “Green Fuz” by The Green Fuz, which maybe be the lowest of low-fi garage punk classics. Ahhh. Now that’s more like it. I love how the drum break sounds like a junior-high-school drum section bashing away, and I hope it was.
My god, those steaks smell so BAD. HA HA.
As I read, everything from pop culture garbage to cool California driving trips to new iTouch apps to fiction reviews to quotes from Clarence Darrow to microdermabrasion recovery times to the long and disturbing cultural trend of binge drinking in the UK, four things cross my mind:
1. Making real connections to other people and things is what makes life rich, expands the mind and heart, is the frosting on the cake, but you cannot depend on them to be your life. Your connections are not you, just adjuncts and hopefully very good and positive adjuncts. At the end of the day, you are on your own.
2. Statement #1 is not sad. It just is.
3. You can’t grasp the responsibilities nor appreciate the depth of the possibilities of the freedom you were born with until you accept #1 and #2.
4. Perhaps the rancid steaks are poisoning me.
Time to go in from out, get back to the laundry, not as white as I was but I never tan anyway.
On the days when it is not raining, when it is sweet and warm and sunny like it is today, I am compelled to go out. No agenda in particular, just out, hoarding the feeling of the weather like it was gold or myrrh or Frankenstein or whatever. The day started out sadly, however, with the pout and sniffle of MissSix, and the unfairness of her getting a cold on a playdate day. I follow strict Parent Code on this issue: Do Not Send A Sick Kid To Someone’s Else Home, Even If Desperate. So I had to tell her that the playdate was off as she tried for some minutes to convince me that she was not sick at all, just that her nose was crying and her head was hot. It was time for me to head off to my appointment with Slappin’ Sarah, but I told her that if she was feeling better from the Magic Motrin by the time I got back, we could go out and do something together. She agreed that out was good, and stopped crying.
I returned in no time flat, and we negotiated our outing. MissSix wanted beach, but I knew what beach meant – filthy wet smelly child – not something I thought was prudent for a young lady with a cold. She swore she would stay on the grass only, but I still said no. She would no more be able to resist flinging herself in the water than our dog. So we decided to head over to the OOGCP for a cool drink and small snack, and she would bring her portable art case along and me my computer. She would draw, I would write, and we would be Out.
She decided that she wanted to draw the big fountain there first, so she set up her little art station and did just that. Two women about 10 years older than me noticed her after a bit, asked me if that was my daughter, and I nodded and said yes, she is an artist, and smiled. I didn’t say she pretends to be an artist, or would like to someday be an artist because art is not just for the accomplished or adult. She is an artist, as much as anyone in the world, and I respect the joy and passion she has for it. The ladies cooed and awwwed over her as she kept on with her mission, focused and unaware of anything else. I let her do her thing, and attempted to see my computer screen in the bright sunshine while nomming on a chocolate croissant, which was getting melty in the heat.
She finished her drawing and decided that she wanted to sell it, and wrote a backwards “2$” on it, and made up a sign that said “OPEN.” I watched, and said little. Another lesson for artists is that not everything you make is going to be instantly bought by a rapturous public. Certainly the yellow lab wearing a huge red bow that walked by didn’t have two bucks, and the dad chasing his running toddler who was heading like a steam train towards the fountain didn’t have time to dig out two bucks either. She asked me if she could call out “FREE ART FOR SALE!” and I said no, that the people relaxing with their coffees probably would not dig that. I did not go into the inconsistencies of her sentence, either.
Not terribly disappointed at her lack of income, she asked if we could go get our nails done, and I said yes. It is so nice to say yes sometimes, it really is. Just yes. I have to say no so often. We picked out very similar shades of very light pearlescent blue and sat next to each other and smiled as “Ellen” and “Sara” painted us up, blabbing away in Vietnamese. After that, we headed off to the grocery store and picked up bananas and meat and cheese and bread and whatever else added up to $300; MissSix got to pick out Lucky Charms cereal and some lovely hot pink Gerbera daisies. She carried the bouquet around the store like a princess, asked me to marry her, and giggled loudly at the thought.
Out was then done, the art case brought home, groceries put away. MissSix found a blanket and pillow, and fell asleep on the floor next to me and I hear her breathe now as I type, a little snotty but comfortingly even and quiet. Out was good.
Let's get real. Adam Lambert = Sam Harris. Over-the-top screeching drama is NOT NOT NOT NOT NOT NOT NOT NOT NOT NOT NOT NOT artistry in any way. I don't give a damn if he can hit huge high notes -- it is all so forced and mannered and ugly-sounding that it makes me want to PUKE! PUKE PUKE PUKE PUKE PUKE! AAHHHHHHHH! NOOOOOOOOOOOOOOOO!
Someday, The Shiny Scythe of Extincteration will take a mighty and broad swing through the air, decisive and final, and I shall die. This particular combination of human molecules will leave the planet for good, and with any luck will not be replaced by some infant who grows up to play that super-annoying sub-bass-drenched hip-hop out of his or her jetpack speakers. I will be sad to go, I assume. There are things I will really hate giving up for eternal unconsciousness: the feel of the sun on my face, laughing, my kids’ faces, delicious creamy warm coffee, and watching dogs bark and “run” while they dream. Maybe the hardest thing is knowing, as the Scythe looms, that you are going to Miss Stuff Happening and Knowing More About Stuff That Is. I have such a curiosity about so many things, and it is going to be hard to be cut from the game before some of those answers are figured out. I don’t give a crap about the existence of God (ain’t gonna happen), if there are alien toenails on Jupiter (I’m not a Star Wars geek), or how to provide fresh water and healthy food for billions of needy people (answer: population-clearing plague or crunchy delicious alien toenails).
What I so so so so want to know more about is THE BRAIN.
Oh, I LOVE the brain. I not only love it, I think it is so cool and sexy and fascinating and awesome that I would marry it, or at least fawn over it at a romantic restaurant. The brain is where it’s at, baby; there’s your key to err thin right there. It’s the most powerful thing in the world, and when we can begin to unlock what is IN THERE, well, oh mah goodness. I believe this completely: that someday science-type people will know so much more about how the brain truly functions on every kind of level, and all will benefit in such an immense way that you can’t even KNOW, MAN. It’s all IN THERE. But now, in 2009, we are like chimps poking at a pile of dung with a stick, or that’s the way it will seem someday. The brain remains for the most part a total mystery, some mass of tissue and fluid and electricity that does things somehow, and if you prod certain areas with a small electric charge you can get people to wink.
NOT ENOUGH. I want MORE.
I love reading and learning about my pal, the brain. The brain is really THE MAN, and reading and learning about the feet or the liver or even the eyeball is just not anywhere near as cool. I have questions. If I live another 50 years, maybe a few of them might get answered, maybe not. Stupid time. I have a particular interest in the study of memory, for quite a few reasons. I am fascinated by the idea that everything you have seen, done, experienced, felt, or thought about is probably stored in the brain, OMG, it’s all IN THERE! It’s like your own personal Netflix of your existence, except for the most part you have lost your account password and cannot get your movie of 1983 on demand.
And of course speaking of movies and memory, everyone has seen Rainman, and has heard about the phenomenon of the autistic savant who can recall voluminous amounts of dates and facts and figures with no study or effort put into such ability. Some piece of the wiring is off, differs, and another piece is freed, and we get this, although its use is of little value to both society and the savant. It is interesting only to the neurologist as a small window into what is possible.
I myself, in some small assumably-non-autistic capacity, have a quirk with my memory, it seems. It is both a great gift and a difficulty. Over the course of any given day, for all of my life, many times a day I am yanked back into my past by my brain. Something – a sound, a smell, a texture, a voice – or sometimes nothing definable at all, triggers the Time Machine, and I am instantly transported to someplace I have already been. I don’t know if that is so unusual; what seems to be the difference is the level, the depth, the amount of detail there. I can be sitting here, in my computer chair, and with no warning I am somewhere else, even if just for a few seconds. It is very nearly as complete and rich as the very reality of this minute, and then it is gone, something like a dream, just with no bizarre flying tigers or anything like that. It can be extremely jarring, and sometimes upsetting, for both the instantaneous and uncontrolled nature of the journey, and that it is a constant reminder of what was, and what is utterly gone.
But, for those few seconds or moments, it can be exhilarating and so exciting, and a confirmation somehow that everything you have ever done stays with you, has gone into making up the you that sits on the computer chair. The smallest most insignificant details were all registered, never lost after all. I can see and feel the texture of the Big Red Chair, the rough bumpy threads of the slipcover, the bright yellow color of the foam if you unzip the cover on the bottom right corner. I can run my finger along the smooth walnut of the bookcases, gathering soft gray dust, and I can read the titles on the spines of the books, in order. I can look out the window and see my dog in his pen, his shiny large metal water bowl tipped over by his huge paw, water making a thin river flowing in a concrete crack. I can see my mother watering the hanging plants with a forest-green metal can with a long swooping spout. She seems so tall. The gray-green linoleum squares of the floor feel cool, slick, and smooth under my feet, and the grandfather clock ticks away loudly, evenly.
This is from 1964 or possibly earlier. We moved to a new house the following year. When I tell my mother these details, she doesn’t say anything for a long time. When she does, her voice sounds a little choked up, wavering: “You were just a baby.”
There are a few people in the world, a literal handful, who have this quirk only with far, far greater accuracy and detail. A woman in California, Jill Price, seems to recall every single detail of her life – what she wore, ate, where she went, what day of the week any event fell – on demand. Her problem is that she cannot stop the movies from playing:
"I don't look back at the past with any distance. It's more like experiencing everything over and over again, and those memories trigger exactly the same emotions in me. It's like an endless, chaotic film that can completely overpower me. And there's no stop button."
I can just almost grasp what she is saying, almost am able to feel how incredibly paralyzing it must be for her. Current brain research assumes that we have to throw memories away, as to not overload the brain. But maybe it is not quite that – maybe they are all there somewhere, for all of us, and every so often something goes wrong, or right, and the flood of the past washes over the conscious mind. For someone like Jill Price, I would think the future would be a burden; more to add to the flood of information, more to keep her from living in the present at all.
For the most part, I feel very lucky. I will take the discomfort of Time Machine jetlag for the small comforts of being able to feel the softness of a pink baby blanket, the shape and grind of a metal bar underneath my knees as I hang upside-down on a jungle gym, the criss-cross pattern of my dad’s brown stereo speaker grills, and that it didn’t all just disappear into the fog, lost forever. It is all there. When the mighty Scythe comes, it goes with me, but if I am lucky I can write and describe it as much as I can, and then it goes to you.
I am not a Body Modification type of person. I have not one tattoo, no lip plates, no neck-stretching rings, no 2”-long Lee Press-On Nails, no Michael Jackson Brand Creepy Permanent Eyeliner. Why, I don’t even have pierced ears. Never have, either. No, I prefer my appearance changes to be impermanent and flexible. I was able to bag the purple hair in 1987 when it attracted more attention than its shining grape-juice beauty was worth, and every trendy piece of clothing has been easily shed and replaced by another equally-hideous trendy piece of clothing. I am not committing to anything more than chunky highlights and waterproof mascara.
I come from a non-bod-mod family, in fact. My father, despite five years in the United States Army, never got a tattoo. Many of his Army buddies did, however. For most of the years I was growing up, the buddies would reunite on some late-summer Saturday at a local Wisconsin park. They would grill hamburgers and hot dogs, drink serious amounts of beer, and after enough burgers and beer were consumed, would then bring out their various instruments (they had all been in the Army band together), and squawk away: mercilessly, to me, happily, to them. I remember seeing their old (to me, then) and tanned arms, and the faded blue tattoos with “MOM” or a busty ‘40s girlie or some gritty-looking animal holding a gun. The ink had softened over time, skin sagged, and the once-sexy girlie tat ended up looking like some blurry alien mimeograph. The men always seemed somewhat embarrassed by these remnants of their overseas youth, and explained them away as the outcome of too much gin during R&R in Australia. Some of the men went so far as to always cover their tattoos, they hated them so much, roasting in long-sleeved shirts, or never took their shirts off to swim in the lake. Who knows what I missed seeing? My dad seemed quite proud and relieved that he came away unscathed, which was surprising because he seemed to drink the most of them all. Perhaps he passed out in a Sydney alley before he could get inked with an image of a smiling red-lipped grenade with boobs and a garter belt or something.
My mother never had her ears pierced. When I realized that other women actually MADE LITTLE TINY HOLES in their ears and hung jewelry from them, I was just amazed. Wow! Hardcore, ladies! I asked my mom why she did not do this. Her reply made so much sense that I took it, and have used it myself all these years: “My hair hangs down and covers my ears all the time anyway, so why bother?” It is so damn sensible. That, combined with the viewing of my teen peers’ ears battling reddened, crusty, oozing earlobe infections, settled it for me. No piercings.
So that is where I am coming from. My opinion (and if you don’t like it, go spend 10 minutes and set up your own blog, stupid) is this crap is short-sighted and sleazy and so far played out as to be comical. OK, you just turned 18 and you and your pals think it is WAY COOL to go and get a tattoo, all together in a big group of obnoxious. Take a look at your tattoo “artist” for a minute. That’s the dude that sat behind you in Algebra I scribbling bad cartoons of dragons and skulls and giant lady boobs and knives going into hearts in his notebook. He is now going to take a nasty needle and poke the same drawings into your skin for LIFE while you pay him for it. This is not Rock, this is not Edgy, this is not Alternative: this is never in a million years going to make you any cooler and in fact makes you look icky or ickier. Yes, even the teeny tiny little star or heart or baby unicorn or snake around your bicep or the dreaded “Touch of Class” rose. All of it is horrible, and when you are 70 it’s all going to look like melted crayons anyway. If you are over 30 and getting a tat, you are either a circus freak or retarded, or a retarded circus freak. If that’s the case, go to town. Another exception would be a full face tattoo for that lady who just got the face transplant. It couldn’t hurt anything there.
Listen, if you are going to get a tattoo, at least make me laugh. Get one of a nice-looking sheep, and surround it with the words, “Me And My Friends Got Drunk All Together And All We Got Were These Lousy Sheep Tattoos.”
Now piercings. Hey, if you want to have pierced ears, that’s swell with me. I can’t see your earrings anyway, and I don’t have to take care of your holes. But let us be realistic how piercings on other parts of your face really look. Again, not cool – from anything more than a foot away, your nose stud, eyebrow ring, or lip bolt looks like you have either a crusty booger sitting on your face or a bird crapped on you and you don’t know it. It’s disturbing. People want to come up to you and quietly tell you that you have some sort of waste ball on your face, and then they see it is a piercing and have to go, “Ohhhhh.”
Piercings on the tongue or genitals just tells me you want people to think you are sexually freaky, but you probably are too self-absorbed and weird to be any good. Ewwww.
But, of course, if you LOVE LOVE LOVE your bod mods, more power to you. Enjoy them in good health and be proud. But don’t get mad at me if I try to flick your nose stud off with my finger sometime. Just trying to help.
I'm Marianne Spellman. I am in Seattle-ish. I like and make music and words and photos and videos and coffee and have crappy eyesight, like every other blogger. I do freelance thingies for cool people and places every so often.
How To Choose A Democrat Nominee For President in 2020: 1. Candidate Aligns With Your Personal Values 2. Candidate Is Personable and Well-Funded 3. Candidate Is Maybe Not An Old White Man 4. Candidate Is Of Fine Character 5. The Person Who Will Beat The Orange Moron So Thoroughly That He Will Deflate Into A Gooey Melted Circus Peanut
"Twenty Feet From Stardom" film (June 4, 2013 via Facebook): "We love this review!!"
Ko Melina, The Dirtbombs, SIRIUS XM Underground Garage DJ (September 6, 2012, via Twitter): "Awesome #Bumbershoot photos of the @DirtbombsBand by @mariannesp..."
Kathy Valentine, The Go-Gos (August 23, 2011, via Twitter):
"Cool blog review & candid concert pics that capture the day perfectly!"
Bill Oglesby , Saxophonist, "Coronado," Deerhunter, Halcyon Digest (February 16, 2011, via YouTube):
"Hi Marianne, I'm the sax player on this cut and I've been enjoying this wonderful video collage that you put together for months.
I consider it quite an honor that you chose Illinois Jacquet to represent me not that I would compare my playing to his in any way, but Jacquet was a real soul-cat.
Thank you."
Keith Gordon, Co-Star & WM BFF, "Winnebago Man" (July 11, 2010, via Facebook):
Without doubt, the BEST and only original music with 'Bago bytes remix ever done. So this is what I get to hear swirling around in my head for the next few days? Welcome aboard; I'm delighted!"
Joel Heller, Producer, "Winnebago Man" (July 11, 2010, via Facebook):
"We love your song Marianne."
Ira Robbins, Trouser Press (March 20, 2010, via Facebook):
"great piece of writing. i liked the film better and the band less, but no matter. this is top-notch cultural criticism. give this woman a job!"
Chris Walter (Feb. 15, 2010, via Diarrhea Island):
"Nice piece, thank you. And thanks to Graham. I think all the photographers had a great time up there, it is an excellent book and exhibition.
Thanks
Chris"
Graham Nash (Feb. 8, 2010, via Diarrhea Island):
"Thanks so much for your very perceptive review of the show at the EMP...... Let's not forget to give thanks to Paul Allen and the people of Seattle for supporting the arts....
Again, well done."
John Cleese (Nov. 4, 2009, via Facebook):
"Nice review of the show by a real person."
God (Aug. 28, 2009, via Twitter):
"Listen, honey, if you weren't a chick you would so be smote right now."
Billy Boyo :: Zim Zim
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